Artist Search Results
About Visage
Pioneers of the New Romantic movement, the synth-pop group Visage emerged in 1978 from the London club Billy's, a neo-glam nightspot which stood in stark contrast to the prevailing punk mentality of the moment. Spearheading Billy's ultra-chic clientele were Steve Strange, a former member of the punk band the Moors Murderers, as well as DJ Rusty Egan, onetime drummer with the Rich Kids; seeking to record music of their own to fit in with the club's regular playlist (a steady diet of David Bowie, Kraftwerk and Roxy Music), Strange and Egan were offered studio time by another Rich Kids alum, guitarist Midge Ure. In late 1978, this trio recorded a demo which yielded the first Visage single, an aptly-futuristic cover of Zager & Evans' "In the Year 2525." Adding Ultravox keyboardist Billy Currie as well as three members of Magazine -- bassist Barry Adamson, guitarist John McGeoch, and keyboardist Dave Formula -- Visage signed to Radar Records to release "Tar" in September 1979, followed a year later by their self-titled debut LP. The album yielded a major single in "Fade to Grey," an instant club classic which heralded synth-pop's imminent commercial breakthrough. The follow-up, "Mind of a Toy," was a Top 20 hit, but after releasing 1982's The Anvil, Visage began to disintegrate -- first Ure exited to focus all of his energies on fronting Ultravox, then Currie and Formula broke ranks as well. 1984's Beat Boys was the group's final recording, although a remixed "Fade to Grey" was a UK Top 40 hit during the early '90s. ~ Jason Ankeny, All Music Guide
Visage's Discography (5)
| The Damned Don't Cry |
more
|
||
| The Damned Don't Cry | Spectrum Music |
more
|
|
| Fade To Grey: The Best Of Visage | Polygram |
more
|
|
| Fade To Grey: The Best Of Visage |
more
|
||
| Visage | Morrison-O'D... |
more
|
|
Compilations Featuring Visage (20)
| Body Language Six | Get Physical... |
more
|
|
| Nouvelle Vague Presents New Wave | District 6 |
more
|
|
| The Kings Of Techno: Compiled By Laurent... | BBE Records |
more
|
|
| 12"/80ѕ/2 | Family Recordings |
more
|
|
| Electric: LEVEL 2, THE VERY BEST OF ELEC... | BMG |
more
|
|
Shazam Recommends...
| Tears For Fears |
more
|
| Black Eyed Peas |
more
|
| Orchestral Manoeuvres In The Dark |
more
|
| Kim Wilde |
more
|
| Robbie Williams |
more
|
Shazamers Who iD'd Visage
| Featured Review | |
|
|
Swagga Like Us T.I. & Jay-Z Feat. KanYe West & Lil' Wayne |
| If the 80s saw New York rappers rule the roost in the USA and the 90s saw the rise of East Coast rappers such as Dr Dre. and Snoop Dogg, its safe to say that the 00s have seen the South come to be the major force in commercial Hip Hop. Enter Atlanta born rapper T.I. whose latest album, Paper Trail, looks set to storm into the number one slot in the US album charts and help solidify a real shift in power that has been bubbling in the last 10 years with rappers such as Ludacris, Lil Jon, Lil Wayne and Soulja Boy. On Swagger Like Us T.I. uses a sample from British artist M.I.A., one of the few artists who is as hot as T.I. himself right now in the States, and then assembles a dream team of rappers including Jay-Z. Lil Wayne and KanYe West to create a track that is predictably going down a storm for hip hop fans. Also predictably, Swagger Like Us treads the familiar lyrical territory of women, cash, clothes, guns and rhyming ability. But hey, when the beats are this banging and the rappers are this profile who cares? To paraphrase Tim Westwood, THIS IS BIG IN THE GAME! | |
|
|
|

more
more