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About Baby Cham
Born Dameon Beckett, Baby Cham took Jamaica by storm as one its biggest dancehall stars by the age of 20. Beckett got his name from his baby-faced appearance, which stands in stark contrast to his booming baritone voice. Growing up in the musically rich district Waterhouse in Kingston, Jamaica, Baby Cham became immersed in dancehall at an early age. At the age of seven, he began watching established DJs of the day hone their skills on the mic while he polished his own DJing abilities at school. He spent his spare time after school hanging out at recording studios and rubbing shoulders with reggae greats such as Shabba Ranks. Cham eventually got a gig as an opening act for Spragga Benz and then hooked up with producer Dave Kelly. Kelly and Cham collaborated for a series of hit singles, all of which have been compiled in Wow...the Story, a two-disc album designed to introduce Baby Cham to a wider audience. ~ Jon Azpiri, All Music Guide
Baby Cham's Discography (1)
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Wow...The Story | Artists Only... |
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Compilations Featuring Baby Cham (20)
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Dancehall 4-Play | Demon Music... |
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Eye Candy | Telstar Reco... |
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Eye Candy | Telstar Reco... |
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Strictly The Best: VOLUME 31 | VP Music Gro... |
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Stone Love: CHAMPION SOUND, VOLUME ONE | Groove Attack |
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Shazamers Who iD'd Baby Cham
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Another Way To Die Alicia Keys & Jack White |
| When Jack White and Alicia Keys were asked to write the theme to the latest Bond film, Quantum of Solace, it wasnt exactly the straightforward task you might imagine. Not only did they have to take the place of a much anticipated effort from Amy Winehouse, which predictably never materialised, they were also faced with the challenge of writing a theme for one of the most awkwardly phrased Bond films of all time. Quantum of Solace hardly rolls off the tongue after all! The result is a workmanlike effort that draws on many trademark elements of both the Bond franchise and the musicians musical repertoire. With snarling guitar riffs from Jack, overblown vocals and twinkling piano from Alicia and a few orchestral style stabs that hark back to the original John Barry theme, Another Way to Die is equal but no better than the sum of its parts. Despite popjustice.com branding the track the worst Bond theme of all time this song will fulfil its design brief when the credits to the film are rolling as it has enough OTT touches to make the expensive graphics look cool. | |
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