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The Cardigans

The Cardigans

About The Cardigans

One of the most pleasing pop groups of the '90s, the Cardigans specialize in sugary confections that would grow annoying very quickly if they weren't backed by great musicianship and clever arrangements. The band's 1995 breakout album, Life, reflected the Cardigans at their most saccharine -- the sunny disposition of vocalist Nina Persson being the major argument in favor -- and critics inserted the group into the space age pop revivalist camp. The Cardigans later proved that they were more difficult to pigeonhole, however. Even the band's origins show that their later appearance was quite misleading; two heavy metal fanatics formed the group in October 1992 in Jonkoping, Sweden. Guitarist Peter Svensson met bassist Magnus Sveningsson in a hardcore group, though he had previously trained in music theory and jazz arranging. The two later grew tired of metal and decided to form a pop band with Nina Persson -- an art-school friend who had never sung professionally -- plus keyboard player Lars-Olof Johansson and drummer Bengt Lagerberg. All five Cardigans moved into a small apartment in 1993 and began recording a demo tape that entered the hands of producer Tore Johansson later that year. He liked what he heard and invited the group to record at his Malmö studio. Signed to the dance-oriented Stockholm label, the Cardigans released Emmerdale in May 1994. The single "Rise & Shine" became a hit on Swedish radio soon after the release of the LP, and a readers poll in Sweden's Slitz magazine voted Emmerdale the best album of 1994. The Cardigans spent the last half of 1994 touring Europe and recording their second album. A satirical response to their moody debut, Life showed the band at their most upbeat, including an angelic picture of Persson in an ice-skating outfit for the cover. Released in March 1995 -- with several re-recordings of songs from Emmerdale -- the album eventually sold one and a half million copies worldwide and became especially popular in Japan, where it achieved platinum status. A deal with Minty Fresh gave the Cardigans an American release of Life in spring 1996, and the group played eight sold-out shows in the U.S. that summer. The American major labels began to notice the attention, and Mercury signed them soon after. First Band on the Moon, released in September 1996, de-emphasized the pure pop in favor of abstract arrangements and some rather violent themes. Nevertheless, the infectious single "Lovefool" became a radio hit by early 1997, and First Band on the Moon eventually reached gold status in America, as well as platinum certification in Japan (just three weeks after its release). Gran Turismo followed in 1998, though it lacked an obvious hit and led to a long hiatus for the band. Finally, the Cardigans returned in 2003 with Long Gone Before Daylight, marking a clear transition with confessional material closer to the singer/songwriter tradition. Super Extra Gravity followed in 2005. ~ John Bush, All Music Guide

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The Cardigans's Discography  (15)

Best Of  Best Of Universal Mu... more more
Super Extra Gravity  Super Extra Gravity Universal Mu... more more
Super Extra Gravity (International Standard)  Super Extra Gravity (International Standard) more more
For What It's Worth from the forthcoming album << Long Gone Before Daylight >> For What It's Worth: from the forthcomin... Stockholm Records more more
Long Gone Before Daylight  Long Gone Before Daylight Stockholm Records more more

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Compilations Featuring The Cardigans  (20)

Romeo & Juliet Soundtrack (Explicit)  Romeo & Juliet Soundtrack (Explicit) more more
Floorfillers Anthems  Floorfillers Anthems more more
Big Brother 2003  Big Brother 2003 Universal Mu... more more
The Quiet Storm THE BEST IN ELECTRIC & ACOUSTIC ROCK BALLADS The Quiet Storm: THE BEST IN ELECTRIC &... Universal Mu... more more
The Very Best Of Cold Feet  The Very Best Of Cold Feet Universal Mu... more more

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Featured Review
Another Way To Die Another Way To Die
Alicia Keys & Jack White
When Jack White and Alicia Keys were asked to write the theme to the latest Bond film, Quantum of Solace, it wasnt exactly the straightforward task you might imagine. Not only did they have to take the place of a much anticipated effort from Amy Winehouse, which predictably never materialised, they were also faced with the challenge of writing a theme for one of the most awkwardly phrased Bond films of all time. Quantum of Solace hardly rolls off the tongue after all! The result is a workmanlike effort that draws on many trademark elements of both the Bond franchise and the musicians musical repertoire. With snarling guitar riffs from Jack, overblown vocals and twinkling piano from Alicia and a few orchestral style stabs that hark back to the original John Barry theme, Another Way to Die is equal but no better than the sum of its parts. Despite popjustice.com branding the track the worst Bond theme of all time this song will fulfil its design brief when the credits to the film are rolling as it has enough OTT touches to make the expensive graphics look cool.
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