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Christy Moore

Christy Moore

About Christy Moore

The older brother of Irish folk-pop singer-songwriter Luka Bloom (Barry Moore), Christy Moore is one of contemporary Irish music's best singer-songwriters. The former lead vocalist and chief songwriter of Planxty and Moving Hearts, Moore helped to bring the musical traditions of Ireland up to modern standards. As a solo singer-songwriter, Moore has continued to add elements of rock and popular music to his well-crafted, tradition-based tunes and has been a major inspiration to such modern Irish artists as U2, Sinead O'Connor and the Pogues. Traditional Irish music had little influence on Moore's early music. Trained in old-time pop tunes and religious music, Moore was inspired as a teenager by the rock & roll of American artists including Elvis Presley, Chuck Berry and Little Richard. It wasn't until he had moved to London, where he heard Irish folk songs sung in Irish ghettos, that he became aware of the musical traditions of his homeland. Acquiring an acoustic guitar and Irish drum (bodhran), Moore began busking in the streets. Moore continued to attract attention with his original, folk-like songs after returning to Ireland in the late 1960s. Moore's debut solo album, Paddy on the Road, was released in 1969. While recording his third album, Prosperous, in 1972, Moore assembled a band that evolved into Planxty. The group's fusion of Celtic music and high-energy rock made Planxty one of Ireland's most influential bands. With Moore singing lead in his heavily accented brogue and playing rhythm guitar and bodhran, Planxty brought together such top-ranked Irish musicians as Donal Lunny (guitar, bouzouki, bottleneck bouzouki), Liam O'Flynn (uilleann pipes, whistle) and Andy Irvine (mandolin, mouth organ). Although he left Planxty in 1974, Moore returned when the band's original lineup reunited in 1979. He remained with Planxty until 1983, when it evolved into a new band, Moving Hearts. Moore served as frontman for Moving Hearts until leaving to resume his solo career in 1985. The excitement of Moore's concerts has been documented on two albums. Live In Dublin, released in 1978, featured accompaniment by Donal Lunny. Live at the Point, released in 1995, captures a solo performance at the Point Theater in Dublin in July 1994. Moore's solo recordings between 1973 and 1978, were compiled on The Folk Collection, released in 1978. His solo recordings between 1981 and 1991 were anthologized on The Christy Moore Collection, released in 1991. Moore's 1985 album Voyage featured backing vocals by Sinead O'Connor, Elvis Costello and Mary Black, plus accordion player Shamus Shannon. ~ Craig Harris, All Music Guide

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Christy Moore's Discography  (15)

The Spirit Of Freedom  The Spirit Of Freedom Warner Music... more more
The Iron Behind The Velvet  The Iron Behind The Velvet Tara Music C... more more
This Is The Day  This Is The Day Sony Music E... more more
Smoke & Strong Whiskey  Smoke & Strong Whiskey The Grapevin... more more
The Collection Part 2  The Collection Part 2 Newberry Rec... more more

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Compilations Featuring Christy Moore  (20)

Shamrocks And Shenanigans up for the reel craic;the ultimate hooley album Shamrocks And Shenanigans: up for the re... Warner Music... more more
Shamrocks And Shenanigans up for the reel craic;the ultimate hooley album Shamrocks And Shenanigans: up for the re... Warner Music... more more
And Who Knows Where The Tyme Goes A COLLECTION OF FOLK CLASSICS And Who Knows Where The Tyme Goes: A COL... Debutante more more
Pure Genius volume2 Pure Genius: volume2 Warner Music... more more
Here Come The Good Times THE ALBUM Here Come The Good Times: THE ALBUM Warner Music... more more

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Featured Review
Dear Science
TV On The Radio
On the way to be established as the best American band of the decade, TV on the Radio's third album has arrived surrounded by five star reviews. Good news is the music totally justifies this level of hype. The Brooklyn-based combo has not abandoned their experimental nature; albeit "Dear Science" sounds deliberately shinier, funkier and more accessible than its, already polished, precursor "Return to Cookie Mountain." Lyrically, though, is quite a darker proposition. Many see on its tone a suitable metaphor to describe their country's collective mood, demoralized and confused, right at the end of Bush's presidency. The band's eclecticism is on full display: electro hooks next to D&B touches; shoegaze's atmospheric layers mixed with post-rock's bass lines via P-funk, often all in the same song. This sonic fusion can be as impressive as disorientating; rich and dense, but also the key that makes TV on the Radio's work improve with repeated listening. Main vocalist Tunde Adebimpe, often helped by guitar player Kyp Malone on second vocals, appears as a sort of missing link between Peter Gabriel and Prince; whereas David Sitek recently turned into producer du jour, applies his multi-instrument playing skills. Members of Antibalas guest on horns, highlighting the romance a new generation of US bands is having with African music. Celebration's Katrina Ford also helps in the mighty single "Golden Age" and the ballad "Family Tree", another of the album's many standout moments. .
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