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About Brian Poole
Quartet most famous for being picked for a contract by England's Decca Records in early 1962 in place of the Beatles. They actually started long before the Beatles, but it wasn't until after the Liverpool quartet hit that they saw any success in England or America. Their biggest British success was a version of the Contours' "Do You Love Me," but the hottest number on their first album was a searing (by British standards) rendition of "I Want Candy," later popularized by the Strangeloves, whose Bo Diddley-based beat, Bob Porter and company handled with admirable style. Poole later faded into obscurity, while the Tremeloes achieved success on their own. ~ Bruce Eder, All Music Guide
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Compilations Featuring Brian Poole (20)
| Party | Spectrum Music |
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| Sixties Jukebox Classics: 54 JUKEBOX SMA... | Universal Mu... |
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| 1960s Number Ones: number ones of the sixties | EMI Records... |
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| Celebrate: Dance Floor Classics And Part... | Spectrum Music |
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| Greatest Hits Of The 50s, 60s & 70s | Recording Arts |
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Shazam Recommends...
Shazamers Who iD'd Brian Poole
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The Holy Pictures David Holmes |
| Four years in the making, since venturing into the rugged rock-jazz-blues arena with The Free Association; to prepare his fourth proper album David Holmes has put aside Hollywood commitments that began as the soundtrack composer for Steven Sorderbergh movies and has nearly become Holmes main activity as forthcoming soundtracks for the Bobby Sands biopic "Hunger" and "Five Minutes of Heaven" undeniably prove. "The holy pictures" is named after the pub his father was a regular of and conceived as a tribute to the city of Belfast and its people. On it our favourite North Irish DJ gives another lecture on eclecticism and takes a 180 degree turn towards the trendy road where shoegazing and krautrock meet. Next to his cinematic instrumentals, the main surprise here is Holmes singing for the first time, in a not too different manner to Jesus & Mary Chain's Jim Reid. Best example is the first single "I heard wonders", helped by Martin Rev, one half of 70s icons Suicide. Other highlights include the closing track "The Ballad Of Jack and Sarah" dedicated to his parents. Altogether, is a beautiful and rewarding record; his most personal to date. | |
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