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Omni Trio

Omni Trio

About Omni Trio

Actually the single force of one Rob Haigh, Omni Trio's sunny brand of intricate, orchestrated drum'n'bass has been growing in acclaim since the onset of "ambient" or "intelligent" jungle in the mid-'90s brought names such as L.T.J Bukem, Spring Heel Jack, and TPower to the fore. Into his 30s, Haigh already had a decade on most of those names, a fact communicated in the often more eclectic influence behind his tunes -- from Carl Craig and Mantronix to Miles Davis and Can. An acolyte of London's mid-'80s experimental industrial/avant-garde scene, Haigh's first Omni Trio releases -- a series of 12-inches issued in distinctive, color-coded sleeves -- started to appear in the early '90s. Following on the heels of early hardcore and darkside techno, Haigh's tunes were among the first composed outside of jungle's immediate dancefloor loop, and were early examples of the music's potential to draw on a wide range of sources (ambient, house, jazz, soul) for influence. His first full-length album, Volume 1: The Deepest Cut, was released on Moving Shadow in 1995 and combined many of those early 12-inch tracks -- "Mystic Stepper," "Renegade Snares" -- with some stunning production and remix work by Foul Play (on "Snares"), among others. His proper debut, Haunted Science, was released by Moving Shadow in 1996; Skeleton Keys followed in 1997. In addition to his increasingly successful career as a recording artist and remixer, Haigh also owns and operates a record shop in Hertford. ~ Sean Cooper, All Music Guide

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Omni Trio's Discography  (7)

The Deepest Cut  The Deepest Cut Moving Shado... more more
Volume 1993-2003 Volume: 1993-2003 Moving Shadow more more
Even Angels Cast Shadows  Even Angels Cast Shadows Moving Shado... more more
The Haunted Science  The Haunted Science Moving Shadow more more
Byte Size Life  Byte Size Life Moving Shado... more more

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Compilations Featuring Omni Trio  (20)

Ministry Of Sound: Innovation - The Album  Ministry Of Sound: Innovation - The Album Ministry Of... more more
Helter Skelter Vs. Raindance Present Rave Nation The Anthems  Helter Skelter Vs. Raindance Present Rav... Ministry Of... more more
Helter Skelter Vs. Raindance Present Rave Nation The Anthems  Helter Skelter Vs. Raindance Present Rav... Ministry Of... more more
Helter Skelter Vs. Raindance Present Rave Nation The Anthems  Helter Skelter Vs. Raindance Present Rav... Ministry Of... more more
Drum & Bass Arena  Drum & Bass Arena Warner Music... more more

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Featured Review
Another Way To Die Another Way To Die
Alicia Keys & Jack White
When Jack White and Alicia Keys were asked to write the theme to the latest Bond film, Quantum of Solace, it wasnt exactly the straightforward task you might imagine. Not only did they have to take the place of a much anticipated effort from Amy Winehouse, which predictably never materialised, they were also faced with the challenge of writing a theme for one of the most awkwardly phrased Bond films of all time. Quantum of Solace hardly rolls off the tongue after all! The result is a workmanlike effort that draws on many trademark elements of both the Bond franchise and the musicians musical repertoire. With snarling guitar riffs from Jack, overblown vocals and twinkling piano from Alicia and a few orchestral style stabs that hark back to the original John Barry theme, Another Way to Die is equal but no better than the sum of its parts. Despite popjustice.com branding the track the worst Bond theme of all time this song will fulfil its design brief when the credits to the film are rolling as it has enough OTT touches to make the expensive graphics look cool.
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