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About The Ordinary Boys
The brash indie rock sounds of the Ordinary Boys come from Sam Preston (vocals, guitar), William J. Brown (guitar, vocals), Charles Stanley (drums), and James Gregory (bass). Inspired by the Kinks, the Jam, and the Smiths, the foursome formed the Ordinary Boys in Worthing, England, near Brighton, in spring 2002. They'd already been playing in various bands since their early teenage years, and obviously took their name from the Morrissey song; however, the Ordinary Boys attempted to survive the responsibilities of having normal nine-to-five lives before ever pursuing a career in music. By the time they reached their early twenties, the four childhood mates wooed their native England with their swaggering post-punk/pop style of music. Dates supporting stellastarr* and the Thrills as well an appearance on the BBC Radio 1 show Live in Brighton positioned the Ordinary Boys to gain national attention. Their debut single, Maybe Someday, arrived on B-Unique in February 2004; it also marked the band's debut with legendary producer Stephen Street. The cheeky second single, Week in Week Out, followed two months later. It was the band's first chart hit, going Top 40 in the U.K. Performances at T in the Park in Glasgow and Glastonbury in Reading coincided with the August 2004 release of the Ordinary Boys' debut album, Over the Counter Culture. ~ MacKenzie Wilson, All Music Guide
The Ordinary Boys's Discography (12)
| Boys Will Be Boys | B-Unique Rec... |
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| How To Get Everything You Ever Wanted In... | B-Unique Records |
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| I Luv U | B-Unique Records |
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| Lonely At The Top | B-Unique Records |
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| Boys Will Be Boys | B-Unique Rec... |
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Compilations Featuring The Ordinary Boys (6)
| Essential Songs Spring Collection | Universal Mu... |
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| Playlist | HMV UK Limited |
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| Songs To Save Your Life | New Musical... |
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| The Live CD |
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| Festival 06 |
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Shazam Recommends...
Shazamers Who iD'd The Ordinary Boys
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Trompeta SIS |
| Be it the underground nature of dance music nowadays or a general inability to produce chart friendly tracks, but the six month decamp of the world's most hardened clubbers and DJ's to Ibiza doesn't seem to uncover as many cross-over records as it did a few years ago. However, despite nothing like Moloko's "Sing It Back" or Spiller's "Groove Jet" being unearthed this year, there has been plenty of exciting club tracks keeping the dance fraternity happy – the king of which has been SIS's "Trompeta". A favourite at Cocoon, which won "Best Ibiza Night" at the recent DJ Awards, and a staple in sets of Luciano and Ricardo Villalobos, who incidentally shared the award for "Best Ibiza Set" at the same awards show; “"Trompeta" has successfully burrowed its way into the minds of Ibiza holiday makers and now looks set to flourish with the season's close and the tracks official release. Taking a sizeable chunk from Balkan Beat Box's "Bulgarian Chicks" and coupling it with a clattering kick/ hi hat shuffle and speaker busting bottom end, "Trompeta's" repetitive Trumpet led hooks have made it an instantly memorable dance hit at odds to the thoughtful techno that often surrounds it on Ibiza's cooler club nights. However, like last year's dance cross over "Heater", this track quickly divides opinion as the simple hooks and general quirkiness of what makes the record appealing also makes it unpalatable to some clubbers and DJ's striving to stay on the cutting edge. Love it or hate it, this record has emerged as one of the most popular in the last six months. | |
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