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About Mo' Horizons
Blending together funk, jazz, bossa nova, soul, and boogaloo with downbeat and drum'n'bass tendencies, German acid jazz duo Mo' Horizons came together in the late '90s when DJs Ralf Droesemeyer and Mark "Foh" Wetzler, both from Hannover and respected in their own rights, decided to improve and expand upon their work by making music of their own, and not simply playing that of others. Signed to Stereo Deluxe, the duo released a couple of 12"s, including "Foto Viva," which was then included on their full-length debut, 1999's Come Touch the Sun. In 2001 Remember Tomorrow came out, accompanied by a lengthy tour, complete with live band. In 2003 ...And the New Bohemian Freedom hit shelves, and Mo' Horizons, by this time stars whose music was included in numerous commercials and television shows, set to work on remaking older songs, both known and unknown, intermixing them with bits of their own compositions. The result, Some More Horizons, was released in 2005, and was followed by Stereo 150, a label compilation mixed by Droesemeyer and Wetzler. After this, Mo' Horizons decided to start their own label (with help from Audiopharm's Ralf Zitzmann), Agogo Records, and began focusing their energy on not only making their own new music but also on finding new talent to sign. ~ Marisa Brown, All Music Guide
Compilations Featuring Mo' Horizons (20)
| Coup D'etat 02:Total Recall |
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| Crazy Covers 2 | Family Recordings |
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| Buddha-Bar VII | George V Records |
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| Tribe | Amiata Records |
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| Hôtel Costes Sept | Pschent |
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Shazam Recommends...
Shazamers Who iD'd Mo' Horizons
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Kids MGMT |
| With 2005's "Time To Pretend" MGMT created a musical moment that would resonate for the next three years, putting it amongst the creme de la creme of new millennium indie anthems. With latest single, "Kids", MGMT fail to scale the heights they did with their first single, but still deliver a track that has met with strong approval from such critical sources as Pitchfork media, Zane Lowe and, surprisingly, dance music bible Mixmag who cited it as one of their "tunes of the year". Sporting an overridingly childlike melody that shimmers due to the interesting use of a distorted stylophone, the track washes over the listener thanks to the great use of a Gary Numan-esque synth line. This is all brought to the fore on the new remix by Belgian dance maestros Soulwax, who turn the muted indie cool of the original into an irrepressible club monster. If any evidence is needed, here is a clip of Erol Alkan playing the track at the recent Pukkelpop festival. Quite simply, amazing! | |
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