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About MJ Cole
With his accessible urban charm and his talent for matching breakbeat culture's incendiary phobias with the Hi-NRG of pop and acid R&B, MJ Cole was one of U.K. garage's first true stars. Ultimately renting himself out for Mariah Carey and De La Soul remixes, Cole began with drum'n'bass label SOUR, where he worked in the initially unassuming position of tape operator. After slogging up to an engineering title for names like Freq Nasty and Ed Rush, he caught the garage bug in the middle of 1996 while working on Ramsey & Fen's 2-step remixes for Kym Mazelle. It was there that solo maneuvers began to form. At first rejected by every distributor in the U.K., an early self-production "Sincere" found root at AM:PM and became one of the earliest garage records to crack Britain's Top 40, which at the time was focused on widescreen indie and Fatboy Slim. Two years after the single's surprise success, Cole issued his debut full-length of the same name. The album's quick, crisp, and vigorously mainstream production style earned him a Mercury Prize nomination although many critics lambasted it for devolving to the lowest common denominator, hobbling U.K. garage's respectability in its infancy. ~ Dean Carlson, All Music Guide
MJ Cole's Discography (6)
| Sincere (2 CD) |
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| Cut To The Chase (UK Edition) |
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| Wondering Why | Mercury Reco... |
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| Sincere | Mercury |
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| Sincere | Mercury Reco... |
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Compilations Featuring MJ Cole (20)
| Pure Garage Rewind: Back To The Old Skoo... | WMTV |
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| Unrivalled Sound: Volume 1 |
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| Pure Urban Divas: 40 SOULFUL SISTAS WITH... | Warner Music... |
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| Anthems Of House | Inspired Rec... |
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| Rewind Garage Classics | Ministry Of... |
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Shazam Recommends...
Shazamers Who iD'd MJ Cole
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Girls Sugababes |
| By roping in credible producers such as Richard X and peppering their songs with up to the minute electro touches, Sugababes have managed to create songs that appealed as much to the cynical music press as it did to teenage girls. Throw in a revolving door line up and a media fascination with the bands perceived moodiness and you have a recipe for the most successful girl band of the new millennium. However on "Girls", a cover of Ernie K-Does early R&B classic "Here Comes The Girls", The "Babes" lack any of the inventiveness that made singles such as "Freak Like Me" and "Push The Button" so enjoyable. As countless artists have proved over the years, there's nothing wrong with uncovering a hidden gem and putting your own spin on things; Soft Cell's "Tainted Love" springs to mind as a good example. However, you can't help thinking that The Sugababes' producers have hardly been "diggin' in the crates" to uncover "Here Come The Girls" since it has been used extensively by Boots over the last couple of years to sell beauty products. Throw in a few predictable Mark Ronson style horn riffs and you have a sub Atomic Kitten mess that tarnishes a lot of the bands efforts to be taken seriously. | |
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