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About Dianne Reeves
Dianne Reeves has been one of the top singers in jazz ever since the late '80s. A logical successor to Dinah Washington and Carmen McRae (although even she can not reach the impossible heights of Ella and Sarah Vaughan), Reeves is a superior interpreter of lyrics and a skilled scat singer. She was a talented vocalist with an attractive voice even as a teenager when she sang and recorded with her high school band. She was encouraged by Clark Terry, who had her perform with him while she a college student at the University of Colorado. There have been many times when Reeves has explored music beyond jazz. She did session work in Los Angeles starting in 1976, toured with Caldera, worked with Sergio Mendes in 1981, and toured with Harry Belafonte during 1983-1986. Reeves began recording as a leader in 1982 and became a regular at major jazz festivals. Her earlier recordings tended to be quite eclectic and many of her live performances have included original African-inspired folk music (which is often autobiographical), world music, and pop. However, after signing with Blue Note in 1987, and particularly since 1994, Reeves has found her place in jazz, recording several classic albums along the way, most notably I Remember, The Grand Encounter, The Calling: Celebrating Sarah Vaughan, and A Little Moonlight. In 2005, she appeared onscreen singing '50s standards in the George Clooney film Good Night, and Good Luck. When You Know was released in 2008. Reeves is at her best performing swinging jazz live. And her musical introduction of her band (which can be lengthy, witty, and full of inspired scatting) is sometimes nearly as memorable as the music. She is always capable of greatness. ~ Scott Yanow, All Music Guide
Dianne Reeves's Discography (12)
| A Little Moonlight |
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| When You Know |
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| Music For Lovers |
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| The Best Of Dianne Reeves | Capitol Reco... |
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| The Calling: CELEBRATING SARAH VAUGHAN | Capitol Reco... |
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Compilations Featuring Dianne Reeves (20)
| We All Love Ella: Celebrating The First... | The Verve Mu... |
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| Slow Jams For Christmas | Capitol Reco... |
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| The Ultimate Jazz Christmas |
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| Cool Summer Jazz | Virgin Recor... |
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| Blue Note Trip: SATURDAY NIGHT, SUNDAY M... | EMI Music |
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Shazam Recommends...
Shazamers Who iD'd Dianne Reeves
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Trompeta SIS |
| Be it the underground nature of dance music nowadays or a general inability to produce chart friendly tracks, but the six month decamp of the world's most hardened clubbers and DJ's to Ibiza doesn't seem to uncover as many cross-over records as it did a few years ago. However, despite nothing like Moloko's "Sing It Back" or Spiller's "Groove Jet" being unearthed this year, there has been plenty of exciting club tracks keeping the dance fraternity happy – the king of which has been SIS's "Trompeta". A favourite at Cocoon, which won "Best Ibiza Night" at the recent DJ Awards, and a staple in sets of Luciano and Ricardo Villalobos, who incidentally shared the award for "Best Ibiza Set" at the same awards show; “"Trompeta" has successfully burrowed its way into the minds of Ibiza holiday makers and now looks set to flourish with the season's close and the tracks official release. Taking a sizeable chunk from Balkan Beat Box's "Bulgarian Chicks" and coupling it with a clattering kick/ hi hat shuffle and speaker busting bottom end, "Trompeta's" repetitive Trumpet led hooks have made it an instantly memorable dance hit at odds to the thoughtful techno that often surrounds it on Ibiza's cooler club nights. However, like last year's dance cross over "Heater", this track quickly divides opinion as the simple hooks and general quirkiness of what makes the record appealing also makes it unpalatable to some clubbers and DJ's striving to stay on the cutting edge. Love it or hate it, this record has emerged as one of the most popular in the last six months. | |
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