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Nightmares On Wax

Nightmares On Wax

About Nightmares On Wax

The combined project of George Evelyn and Robin Taylor-Firth, Nightmares on Wax became one of the brightest spots on the post-rave British techno map of the early '90s. NOW's debut album, A Word of Science, was -- along with early tracks by LFO, Tuff Little Unit, and Tricky Disco -- a crucial bridge between the competing influences of New York house and electro, Detroit techno and soul, London rave and acid, and the burgeoning eclecticism of the years to come. Forming in the late '80s in West Yorkshire as an extension of Evelyn and company's b-boy crew the Soul City Rockers, NOW's first singles, "Dextrous" and "Aftermath," were both highly regarded, and the latter shot into the pop singles Top 40. The subsequent album laid a good deal of the groundwork for the downtempo experimental hip-hop/electro-funk worked over by Mike Paradinas, Luke Vibert, Spacer, and others, and earned the group a secure spot among techno's select crew of next-step innovators. The group nonetheless disbanded following Science's release, with early contributor Kevin Harper leaving to pursue a DJ career and Evelyn turning out a smattering of house tracks on Warp's Nucleus subsidiary before settling into bedroom woodshed mode. Following a four-year hiatus, Evelyn resurfaced with a track on the Mo' Wax Headz compilation and, soon after, Smoker's Delight, basically an instrumental hip-hop album with a distinctively British eclecticism. Still involved with the same sorts of genre-spanning sampler-and-sequencer experiments, Smoker's Delight is also less obvious, suited more to repeat listenings than previous material. The same was also true for 1999's Carboot Soul, Evelyn's first album as part of a deal with American indie label Matador for domestic distribution. In 2000, NOW produced the first new material by De La Soul in several years, included on an EP (The Sound of N.O.W) featuring the rap pioneers. Following hot on its heels was a volume in the Studio !K7 mix series DJ Kicks. Two years later, Evelyn delivered his fourth LP, Mind Elevation. A longer gap preceded the release of his next proper LP for Warp, but In a Space Outta Sound finally appeared in March 2006 and Thought So... just over two years later. ~ Sean Cooper, All Music Guide

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Nightmares On Wax's Discography  (8)

Thought So..  Thought So.. Warp Records... more more
African Pirates  African Pirates Warp Records... more more
70s 80s  70s 80s Warp Records... more more
Know My Name  Know My Name Warp Records... more more
Mind Elevation  Mind Elevation Warp Records... more more

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Compilations Featuring Nightmares On Wax  (20)

Donkey Punch Original Soundtrack;Original Score Donkey Punch: Original Soundtrack, Origi... Warp Records... more more
Listen Again  Listen Again Ether Records more more
Raveology OLD SKOOL RAVE CLASSICS;MIXED BY RATPACK Raveology: OLD SKOOL RAVE CLASSICS, MIXE... Virgin Recor... more more
Angel Beach the fourth wave;chillout & house beats from ibiza, rio, goa & miami Angel Beach: the fourth wave, chillout &... Inspired Records more more
Ibiza Annual 2005 THE FUNKY HOUSE SOUND OF THE SUMMER Ibiza Annual 2005: THE FUNKY HOUSE SOUND... Ministry Of... more more

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Featured Review
The Holy Pictures
David Holmes
Four years in the making, since venturing into the rugged rock-jazz-blues arena with The Free Association; to prepare his fourth proper album David Holmes has put aside Hollywood commitments that began as the soundtrack composer for Steven Sorderbergh movies and has nearly become Holmes main activity as forthcoming soundtracks for the Bobby Sands biopic "Hunger" and "Five Minutes of Heaven" undeniably prove. "The holy pictures" is named after the pub his father was a regular of and conceived as a tribute to the city of Belfast and its people. On it our favourite North Irish DJ gives another lecture on eclecticism and takes a 180 degree turn towards the trendy road where shoegazing and krautrock meet. Next to his cinematic instrumentals, the main surprise here is Holmes singing for the first time, in a not too different manner to Jesus & Mary Chain's Jim Reid. Best example is the first single "I heard wonders", helped by Martin Rev, one half of 70s icons Suicide. Other highlights include the closing track "The Ballad Of Jack and Sarah" dedicated to his parents. Altogether, is a beautiful and rewarding record; his most personal to date.
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