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About Brooklyn Bounce
As Brooklyn Bounce, producer/DJs Matthias "Double M" Menck and Dennis Bohn attained unexpected commercial success in the mid- to late '90s with the help of some theatrical vocalists: Alex, Ulrika, and Diablo. The two Hamburg natives had originally tasted success soon after first meeting in 1995. Their first chart hit, Boyz R Us' "Singin' in My Mind," hinted at what was to come. In 1997, the duo debuted as Brooklyn Bounce, an uncharacteristically visual dance act fronted by the aforementioned vocalists/dancers. "The Theme (Of Progressive Attack)" scaled the German dance charts as a club favorite before becoming a crossover hit for the group as well, finding success in France and Scandinavia as well as Germany. The single's success set the stage for Brooklyn Bounce's debut album, In the Beginning. Other hits and other albums followed, though the group struggled to adapt to the latest trends. ~ Jason Birchmeier, All Music Guide
Brooklyn Bounce's Discography (5)
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"Loud & Proud" | Product Reco... |
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Loud And Proud | Product Reco... |
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Canda!: (THE DARKSIDE RETURNS) | Edel Records GmbH |
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Bb Nation |
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Best Of Album | Sony |
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Compilations Featuring Brooklyn Bounce (20)
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Tidy Weekender 14 V2.0 Live | Tidy |
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Tidy Weekender 14 V2.0 Live | Tidy |
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Tidy Weekender 14 V2.0 Live | Tidy |
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Pole Position 2004 |
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Trance Voices Vol. 12 | Universal St... |
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Shazam Recommends...
Shazamers Who iD'd Brooklyn Bounce
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Girls Sugababes |
| By roping in credible producers such as Richard X and peppering their songs with up to the minute electro touches, Sugababes have managed to create songs that appealed as much to the cynical music press as it did to teenage girls. Throw in a revolving door line up and a media fascination with the bands perceived moodiness and you have a recipe for the most successful girl band of the new millennium. However on "Girls", a cover of Ernie K-Does early R&B classic "Here Comes The Girls", The "Babes" lack any of the inventiveness that made singles such as "Freak Like Me" and "Push The Button" so enjoyable. As countless artists have proved over the years, there's nothing wrong with uncovering a hidden gem and putting your own spin on things; Soft Cell's "Tainted Love" springs to mind as a good example. However, you can't help thinking that The Sugababes' producers have hardly been "diggin' in the crates" to uncover "Here Come The Girls" since it has been used extensively by Boots over the last couple of years to sell beauty products. Throw in a few predictable Mark Ronson style horn riffs and you have a sub Atomic Kitten mess that tarnishes a lot of the bands efforts to be taken seriously. | |
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