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About Mateo & Matos
One of the most gifted and focused production teams in the New York house underground, John "Roc" Mateo and Eddie "E-Z" Matos were both educated in the warm vibe of disco first-hand by listening to classic DJs on New York radio during the late '70s, among them Shep Pettibone, Tony Humphries and Jonathan Fearing. That original link from disco informed their own productions for Henry Street, NiteGrooves, Nervous and a host of other labels during the 1990s. The pair first met in 1985 and became DJ partners soon after. Later that year, they were introduced "Little" Louie Vega (several years before he joined Kenny "Dope" Gonzalez to become Masters at Work) and learned much from Vega about recording-studio protocol, including production and engineering. Mateo & Matos earned their first high-profile DJ gig at Hector Cruz's mobile House Nation club and spent much of the rest of the 1980s DJing in a variety of locales. By 1989, the duo began using what they'd learned from "Little" Louie Vega in their own productions. After recording half-a-dozen singles for their own Final Cut Records, Mateo & Matos' reputation began to spread and they recorded for Oxygen Music Works, Henry Street, Nervous, NiteGrooves, and Spiritual Life during the mid-'90s. Their debut production album, New York Rhythms, appeared on Scotland's Glasgow Underground label in 1997. One year later, the second volume appeared. In 1999, The Many Shades of Mateo & Matos earned domestic distribution through Glasgow Underground. ~ John Bush, All Music Guide
Mateo & Matos's Discography (2)
| The Many Shades Of Mateo & Matos | Glasgow Unde... |
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| Essential Elements |
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Compilations Featuring Mateo & Matos (20)
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Shazamers Who iD'd Mateo & Matos
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Never Miss A Beat Kaiser Chiefs |
| The kings of chorus repetition strike again with this good intentioned look at the state of our youth and the failure of the education system. Don't panic! As serious as this may sound, these are neither deep lyrics nor they reflect any worrying shift towards U2-like social analysis. "Never Miss A Beat" does not desperately try to be as popular as "Ruby", which makes it more enjoyable, and although it cannot compare with the Chiefs' best moments (namely, their debut singles) many want to see some sort of getting back to form, fuelled by their collaboration with new Britpop king, Mark Ronson, who was called to produce their forthcoming effort. His Midas touch is expected to rescue the band from the typical disappointing effect of that difficult second album. This new single, though, lacks of the shock and awe effect a different sound direction would have provided; instead Ronson respectfully brings the band back to the familiar sonic frame where Kaiser Chiefs used to feel at home, but a few surprises may be unveiled when "Off With Their Heads" gets a release. | |
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