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Richard Ashcroft

Richard Ashcroft

About Richard Ashcroft

As the frontman for the epic British drone-pop band the Verve, Richard Ashcroft proved himself the spiritual descendant of rock & roll icons like Mick Jagger and Jim Morrison -- rivetingly charismatic, menacingly serpentine, and possessed of an almost shamanic intensity, he embraced and articulated the anthemic fervor of rock music with a power and eloquence unparalleled by any of his contemporaries. Ashcroft was born September 11, 1971, in the Wigan suburb of Billinge, attending Upholland Comprehensive School alongside future Verve mates Simon Jones, Simon Tong, and Peter Salisbury; after losing his father at age 11, he fell under the influence of his stepfather, a member of the ancient secular order of the Rosicrucians, who regularly performed experiments in mind expansion and the healing arts. While a student at Winstanley College in 1989, Ashcroft co-founded Verve with bassist Jones, drummer Salisbury, and guitarist Nick McCabe; signing to Virgin's Hut imprint to issue their 1992 debut single, "All in the Mind," Verve earned widespread praise for their majestic, oceanic guitar pop, with the eminently quotable Ashcroft earning the dismissive nickname "Mad Richard" from the U.K. press. Despite their critical acclaim, Verve often seemed at the mercy of forces outside their control -- while touring with the Lollapalooza festival in support of their 1993 debut LP, A Storm in Heaven, Ashcroft was hospitalized after suffering from severe dehydration, and within months the band also entered into a protracted legal battle with the American jazz label Verve, which resulted in an official name change to "The Verve." Recorded under the influence of a massive intake of ecstasy, 1995's brilliant A Northern Soul effectively split the band apart, although Ashcroft re-formed the lineup a few weeks later. The re-formed Verve achieved international success with 1997's celebrated Urban Hymns, scoring a series of hits including "Bittersweet Symphony," "The Drugs Don't Work," and "Lucky Man"; however, legal hassles awarded 100 percent of "Bittersweet Symphony"'s publishing rights to ABKCO Music -- the song was built on a Rolling Stones sample -- and as friction between Ashcroft and McCabe resurfaced, the guitarist quit the group, and following a final tour, the Verve again disbanded, this time for good. Ashcroft's solo debut, Alone with Everybody, followed in mid-2000. Later that fall, Ashcroft celebrated his solo success with a ten-date sold-out American tour. Two days prior to kickoff in Chicago, the entire tour was postponed due to Ashcroft's illness, and speculations were quickly linked to his previous drug-using behavior with the Verve. Those rumors were also wiped out quickly, and the U.S. dates were rescheduled for January 2001. The following year, Ashcroft returned with his soul-searching, spiritual second album, Human Conditions. Over the next few years, Ashcroft returned to living a quiet life with his family. He also inked a recording contract with Parlophone after his longtime label home, Hut, went bankrupt in mid-2004. Ashcroft's long-awaited third album, Keys to the World, was released in March 2006. ~ Jason Ankeny, All Music Guide

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Richard Ashcroft's Discography  (27)

Break The Night With Colour  Break The Night With Colour more more
Break The Night With Colour  Break The Night With Colour more more
Keys To The World (Explicit)  Keys To The World (Explicit) more more
Music Is Power  Music Is Power more more
Music Is Power  Music Is Power more more

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Compilations Featuring Richard Ashcroft  (20)

CD Ohne Namen  CD Ohne Namen Universal Mu... more more
The X List  The X List Virgin Recor... more more
Now That's What I Call Music 54  Now That's What I Call Music 54 EMI Records... more more
The Alternative Album  The Alternative Album EMI Records... more more
4 Scott  4 Scott V2 Music Limited more more

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Featured Review
Another Way To Die Another Way To Die
Alicia Keys & Jack White
When Jack White and Alicia Keys were asked to write the theme to the latest Bond film, Quantum of Solace, it wasnt exactly the straightforward task you might imagine. Not only did they have to take the place of a much anticipated effort from Amy Winehouse, which predictably never materialised, they were also faced with the challenge of writing a theme for one of the most awkwardly phrased Bond films of all time. Quantum of Solace hardly rolls off the tongue after all! The result is a workmanlike effort that draws on many trademark elements of both the Bond franchise and the musicians musical repertoire. With snarling guitar riffs from Jack, overblown vocals and twinkling piano from Alicia and a few orchestral style stabs that hark back to the original John Barry theme, Another Way to Die is equal but no better than the sum of its parts. Despite popjustice.com branding the track the worst Bond theme of all time this song will fulfil its design brief when the credits to the film are rolling as it has enough OTT touches to make the expensive graphics look cool.
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