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Leroy Hutson

Leroy Hutson

About Leroy Hutson

One of the most underrated soul producers of the '70s, multi-talented producer/singer/songwriter/instrumentalist Leroy Hutson began his career in various vocal groups around his hometown of Newark, NJ, in the '60s, but saw his early success as a co-writer for Howard University roommate Donny Hathaway's 1970 hit single "The Ghetto." Hutson would later replace Curtis Mayfield in 1971 as the lead singer in the Impressions and stayed with them until 1973, when he followed in Mayfield's footsteps and launched his own solo career. His smooth, imaginative productions set the bar very high for everyone at the label (including its owner) to follow suit. Although his lyrics were not as politically fueled as Mayfield's, Hutson's love-inspired songs were responsible for a string of mid-'70s classics which he and Curtom are best known for. While he would enjoy the commercial success during a string of albums in the mid- to late '70s, he also lent his production and songwriting skills to several labelmates, including the Natural Four. After the closing of Curtom Records in 1980, Hutson's career diminished into obscurity with the exception of 1982's jazz-funk-tinged Paradise. However, he has maintained a strong cult following among soul collectors to this day, and in 2000 Sequel Records had the good sense to reissue not only the original albums on CD but a two-disc anthology spanning the greatest hits of his career. ~ Rob Theakston, All Music Guide

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Leroy Hutson's Discography  (6)

Love Oh Love  Love Oh Love Charly Schal... more more
Unforgettable  Unforgettable Charly Schal... more more
Closer To The Source  Closer To The Source Charly Schal... more more
Feel The Spirit Featuring the Free Spirit Symphony Feel The Spirit: Featuring the Free Spir... Charly Schal... more more
Hutson II  Hutson II Charly Schal... more more

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Compilations Featuring Leroy Hutson  (20)

Sunday Afternoon At Dingwalls: Classic Moves And Grooves From The Legendary Club  Sunday Afternoon At Dingwalls: Classic M... Ether Records more more
Defected Deep Down & Discofied  Defected Deep Down & Discofied ITH Limited more more
The Curtom Story Curtis Mayfield's School Of 20th Century Soul The Curtom Story: Curtis Mayfield's Scho... Union Square... more more
The Curtom Story Curtis Mayfield's School Of 20th Century Soul The Curtom Story: Curtis Mayfield's Scho... Union Square... more more
The Curtom Story Curtis Mayfield's School Of 20th Century Soul The Curtom Story: Curtis Mayfield's Scho... Union Square... more more

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Featured Review
Dear Science
TV On The Radio
On the way to be established as the best American band of the decade, TV on the Radio's third album has arrived surrounded by five star reviews. Good news is the music totally justifies this level of hype. The Brooklyn-based combo has not abandoned their experimental nature; albeit "Dear Science" sounds deliberately shinier, funkier and more accessible than its, already polished, precursor "Return to Cookie Mountain." Lyrically, though, is quite a darker proposition. Many see on its tone a suitable metaphor to describe their country's collective mood, demoralized and confused, right at the end of Bush's presidency. The band's eclecticism is on full display: electro hooks next to D&B touches; shoegaze's atmospheric layers mixed with post-rock's bass lines via P-funk, often all in the same song. This sonic fusion can be as impressive as disorientating; rich and dense, but also the key that makes TV on the Radio's work improve with repeated listening. Main vocalist Tunde Adebimpe, often helped by guitar player Kyp Malone on second vocals, appears as a sort of missing link between Peter Gabriel and Prince; whereas David Sitek recently turned into producer du jour, applies his multi-instrument playing skills. Members of Antibalas guest on horns, highlighting the romance a new generation of US bands is having with African music. Celebration's Katrina Ford also helps in the mighty single "Golden Age" and the ballad "Family Tree", another of the album's many standout moments. .
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