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Sister Sledge

Sister Sledge

About Sister Sledge

Best known for their work with Chic in the late '70s, siblings Debbie, Kim, Joni, and Kathy Sledge -- collectively Sister Sledge -- reached the height of their popularity during the disco era but had been recording since the early '70s and were still active in the late '90s. The group was formed in Philadelphia in 1971, when the sisters' ages ranged from 12 to 16, and they recorded their first single, "Time Will Tell," for the Philly-based Money Back label. (For the first few years, the group called itself Sisters Sledge.) In 1972, Sister Sledge signed with Atco and recorded its second single, "Weatherman," which was followed by the Jackson 5-like "Mama Never Told Me" in 1973. Sister Sledge's first national hit came in 1974, when "Love, Don't You Go Through No Changes on Me" reached number 31 on the R&B charts and the Philadelphians recorded their debut album, Circle of Love. Their second album, Together, was released in 1977 and contained the number 61 R&B hit "Blockbuster Boy." It wasn't until 1979, when Chic leaders Nile Rodgers and Bernard Edwards produced We Are Family, that Sister Sledge really exploded commercially. "He's the Greatest Dancer" and We Are Family's title song both soared to number one on the R&B charts, and the latter (a number two pop smash) was adopted as a theme by the World Series-winning Pittsburgh Pirates. Sister Sledge's next album, Love Somebody Today (1980), was also produced by the Rodgers/Edwards team, and the single "Got to Love Somebody" became a number six R&B hit. In 1981, Sister Sledge switched producers and worked with Narada Michael Walden, who produced 1981's excellent All American Girls. The title song was a number three R&B hit, and in 1982, Sister Sledge had a number 14 R&B hit with a cover of Mary Wells' "My Guy" that appeared on The Sisters. But after that, the foursome's popularity faded, and it never had another Top 20 hit in the U.S. -- although 1985's "Frankie" (a number 32 R&B hit in the States) became a pop number one hit in England. Sister Sledge left Atlantic for good in 1985, but its members kept busy in the 1990s. Epic released Kathy's debut solo album, Heart, in 1992, and 1997 found the sisters recording a risk-taking date, African Eyes, arguably one of the finest albums they ever recorded. ~ Alex Henderson, All Music Guide

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Sister Sledge's Discography  (5)

We Are Family Greatest Hits We Are Family: Greatest Hits more more
Lost In Music  Lost In Music Polydor more more
Remixed Super Dance Hits  Remixed Super Dance Hits Hypnotic Records more more
Very Best Of Chic & Sister Sledge  Very Best Of Chic & Sister Sledge Atlantic more more
African Eyes  African Eyes Vibetree Ent... more more

Compilations Featuring Sister Sledge  (20)

Discovered: A Collection Of Daft Funk Samples  Discovered: A Collection Of Daft Funk Samples Rapster Records more more
Back To Love 0305  Back To Love 0305 Hed Kandi Records more more
Cream Classics Vol 2  Cream Classics Vol 2 Warner Music... more more
Lost In Music  Lost In Music Polydor more more
Lost In Music  Lost In Music Polydor more more

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Featured Review
The Holy Pictures
David Holmes
Four years in the making, since venturing into the rugged rock-jazz-blues arena with The Free Association; to prepare his fourth proper album David Holmes has put aside Hollywood commitments that began as the soundtrack composer for Steven Sorderbergh movies and has nearly become Holmes main activity as forthcoming soundtracks for the Bobby Sands biopic "Hunger" and "Five Minutes of Heaven" undeniably prove. "The holy pictures" is named after the pub his father was a regular of and conceived as a tribute to the city of Belfast and its people. On it our favourite North Irish DJ gives another lecture on eclecticism and takes a 180 degree turn towards the trendy road where shoegazing and krautrock meet. Next to his cinematic instrumentals, the main surprise here is Holmes singing for the first time, in a not too different manner to Jesus & Mary Chain's Jim Reid. Best example is the first single "I heard wonders", helped by Martin Rev, one half of 70s icons Suicide. Other highlights include the closing track "The Ballad Of Jack and Sarah" dedicated to his parents. Altogether, is a beautiful and rewarding record; his most personal to date.
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