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About Toya
The popularity of Dirty South-style rap artists has helped put St. Louis on the musical map, especially following the huge success of Nelly's Country Grammar album. The city's true musical style lies somewhere between the South and the Midwest, though, with a diverse collection of artists who draw as much inspiration from Chicago as Atlanta. Born and raised in St. Louis, Toya (born Toya Rodriguez) was mentored by the same people who helped Nelly achieve fame, but used that help to produce an album in her own unique style. After a childhood spent singing in church and school, Toya was attending St. Louis University on scholarship, working two jobs, and writing songs and recording demos in her spare time when she made arrangements to sing for Nelly's managers, Tony Davis and Courtney Benson. She sang a gospel song, "I Won't Complain," on a Friday, and the pair were so impressed that they asked her to give them two new songs by the end of the weekend. Despite having to work that weekend, Toya put two songs together with the help of her longtime friend and manager, Harold Guy, and a professional songwriter. The songs were played for L.A. Reid of Arista Records and he liked them so much that he flew her to New York to audition. That audition led to a recording contract and the release of her self-titled debut album in the summer of 2001. With its first single, "I Do," the album made an impressive impact amidst a sea of releases from other baby divas, in part because of the stylistic diversity of its songs that ranged from hip-hop influenced R&B numbers to jazzy ballads and dance tunes. Guest appearances by Murphy Lee of the St. Lunatics and Penelope also helped give the album a unique St. Louis flavor. ~ Stacia Proefrock, All Music Guide
Toya's Discography (1)
Compilations Featuring Toya (8)
| Top Of The Pops Spring 2003 | BBC |
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| Smash! Hits Chart: SUMMER 2003 | Virgin Recor... |
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| Now That's What I Call Music 54 | EMI Records... |
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| Top Of The Pops: SPRING 2003 | BBC Music |
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| Urban Vibes | BMG Entertainment |
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The Holy Pictures David Holmes |
| Four years in the making, since venturing into the rugged rock-jazz-blues arena with The Free Association; to prepare his fourth proper album David Holmes has put aside Hollywood commitments that began as the soundtrack composer for Steven Sorderbergh movies and has nearly become Holmes main activity as forthcoming soundtracks for the Bobby Sands biopic "Hunger" and "Five Minutes of Heaven" undeniably prove. "The holy pictures" is named after the pub his father was a regular of and conceived as a tribute to the city of Belfast and its people. On it our favourite North Irish DJ gives another lecture on eclecticism and takes a 180 degree turn towards the trendy road where shoegazing and krautrock meet. Next to his cinematic instrumentals, the main surprise here is Holmes singing for the first time, in a not too different manner to Jesus & Mary Chain's Jim Reid. Best example is the first single "I heard wonders", helped by Martin Rev, one half of 70s icons Suicide. Other highlights include the closing track "The Ballad Of Jack and Sarah" dedicated to his parents. Altogether, is a beautiful and rewarding record; his most personal to date. | |
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