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Men At Work

Men At Work

About Men At Work

Men at Work were one of the more surprising success stories of the new wave era, rocketing out of Australia in 1982 to become the most successful artist of the year. With its Police-styled rhythms, catchy guitar hooks, wailing saxophones, and off-kilter sense of humor, the band's debut album Business as Usual became an international blockbuster, breaking the American record for the most weeks a debut spent at the top of the charts. Their funny, irreverent videos became MTV favorites, helping send "Who Can It Be Now?" and "Down Under" to number one. Men at Work's momentum sustained them through their second album, 1983's Cargo, before the bottom fell out of the band's popularity. After releasing Two Hearts in 1985, Men at Work broke up, becoming one of the better-remembered phenomenons of new wave. Colin Hay (lead vocals, guitar), a native of Scotland who moved to Australia at the age of 14, formed Men at Work as an acoustic duo with Ron Strykert (guitar, vocals) in Melbourne in 1979. Within a few months, the duo had expanded to a full group with the addition of John Rees (bass), Greg Ham (saxophone, flute, keyboards), and Jerry Speiser (drums). Over the next two years, the band became regulars at the Cricketer's Arms Hotel bar and on Australia's pub circuit, eventually becoming the highest-paid unsigned band in the country. By 1981, they had landed a contract with Australian Columbia, who released "Who Can It Be Now?" by the end of the year. The single became an huge hit, as did their debut album, Business as Usual, upon its spring 1982 release. Featuring contributions by Hay, Strykert, and Ham, Business as Usual spent ten weeks at the top of the Australian charts, beating a record held by Split Enz's True Colours. The album was released in America in the summer, and within a few weeks "Who Can It Be Now?" began its climb to the top of the U.S. charts. In November, Business as Usual hit the top of the charts, where it would stay for 15 weeks. "Down Under" became the group's second American number one early in 1983 and it became the band's first British hit single; the song reached number one in both countries simultaneously. In February, the band was named the Best New Artist of 1982 at the Grammys. Men at Work's second album, Cargo, had been recorded during the summer of 1982, but its release was delayed because of the remarkable success of the debut. Largely written by Hay, Cargo reached number three in the U.S. and generated the Top Ten singles "Overkill" and "It's a Mistake." Following an extensive tour, during which the group co-headlined the US Festival with the Clash and the Stray Cats, Men at Work took an extended break in 1984, which caused Spesier and Rees to leave the band. They were replaced by session musicians for the group's third album, 1985's Two Hearts. Though the record went gold in the U.S., it was a considerable commercial disappointment, failing to generate one Top 40 single. Following the release of Two Hearts, the band broke up. Out of the remaining members, Hay was the only one to pursue a solo career, but neither of his two American solo albums -- Looking for Jack (1987) and Wayfaring Sons (1990) -- were successes. Hay continued to release albums in Australia during the '90s; he also began an acting career. He and Ham re-formed Men at Work in 1998, issuing the live hits collection Brazil. ~ Stephen Thomas Erlewine, All Music Guide

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Men At Work's Discography  (9)

Brazil  Brazil Hayman P/L more more
Brazil  Brazil Hayman P/L more more
Definitive Collection  Definitive Collection Sony Music E... more more
Contraband: The Best Of Men At Work  Contraband: The Best Of Men At Work Sony Music E... more more
The Works  The Works more more

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Compilations Featuring Men At Work  (20)

School Disco.com The Best Days Of Your Life School Disco.com: The Best Days Of Your Life Sony Music E... more more
On Your 80s Radio  On Your 80s Radio Sony Music E... more more
I Love 2 Party  I Love 2 Party Virgin Recor... more more
School Disco.com The Best Days Of Your Life School Disco.com: The Best Days Of Your Life Sony Music E... more more
Crocodile Dundee In Los Angeles ORIGINAL MOTION PICTURE SOUNDTRACK Crocodile Dundee In Los Angeles: ORIGINA... Silva Screen... more more

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Featured Review
Another Way To Die Another Way To Die
Alicia Keys & Jack White
When Jack White and Alicia Keys were asked to write the theme to the latest Bond film, Quantum of Solace, it wasnt exactly the straightforward task you might imagine. Not only did they have to take the place of a much anticipated effort from Amy Winehouse, which predictably never materialised, they were also faced with the challenge of writing a theme for one of the most awkwardly phrased Bond films of all time. Quantum of Solace hardly rolls off the tongue after all! The result is a workmanlike effort that draws on many trademark elements of both the Bond franchise and the musicians musical repertoire. With snarling guitar riffs from Jack, overblown vocals and twinkling piano from Alicia and a few orchestral style stabs that hark back to the original John Barry theme, Another Way to Die is equal but no better than the sum of its parts. Despite popjustice.com branding the track the worst Bond theme of all time this song will fulfil its design brief when the credits to the film are rolling as it has enough OTT touches to make the expensive graphics look cool.
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