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Frankie J.

Frankie J.

About Frankie J.

Tijuana-born and San Diego-raised contemporary R&B artist Frankie J was raised on a steady diet of Latin music and American artists like Michael Jackson and Run-D.M.C. At the age of 15, he was involved with the Latin freestyle scene and released a series of singles on a Canadian dance label. A 1997 signing with Jellybean Benitez's Hola label never panned out, but he landed on his feet when he became a member of los Kumbia Kings. After a few years with the group, J went solo with 2003's What's a Man to Do?, a collection of ballad-dominated material that was released on Columbia. One (2005), Un Nuevo Día (2006), and Priceless (also 2006) followed. ~ Andy Kellman, All Music Guide

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Frankie J.'s Discography  (6)

The One  The One Sony BMG Mus... more more
Obsession (No Es Amor) Obsession: (No Es Amor) more more
Frankie J  Frankie J more more
Priceless  Priceless more more
That Girl  That Girl more more

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Compilations Featuring Frankie J.  (10)

Now Latino 2 20 Chart-Topping Hits Now Latino 2: 20 Chart-Topping Hits more more
Top Latino V2  Top Latino V2 Sony BMG Mus... more more
Off Parole  Off Parole Chrysalis Records more more
BPR 03-11  BPR 03-11 more more
BPR 03-19  BPR 03-19 more more

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Featured Review
Kids Kids
MGMT
With 2005's "Time To Pretend" MGMT created a musical moment that would resonate for the next three years, putting it amongst the creme de la creme of new millennium indie anthems. With latest single, "Kids", MGMT fail to scale the heights they did with their first single, but still deliver a track that has met with strong approval from such critical sources as Pitchfork media, Zane Lowe and, surprisingly, dance music bible Mixmag who cited it as one of their "tunes of the year". Sporting an overridingly childlike melody that shimmers due to the interesting use of a distorted stylophone, the track washes over the listener thanks to the great use of a Gary Numan-esque synth line. This is all brought to the fore on the new remix by Belgian dance maestros Soulwax, who turn the muted indie cool of the original into an irrepressible club monster. If any evidence is needed, here is a clip of Erol Alkan playing the track at the recent Pukkelpop festival. Quite simply, amazing!
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