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Lois
About Lois
Singer/songwriter Lois Maffeo long reigned as one of the most respected voices in American indie-pop -- a key proponent of the Pacific Northwest's love-rock scene, her spare, lo-fi sound and steadfast adherence to underground ethos blazed a trail for the countless female acts to emerge in her wake. A native of Phoenix, AZ, Maffeo began attending Evergreen State College in Olympia, WA in 1981, initially becoming a fixture of the city's thriving music scene as a result of her grrrl-centric radio show Your Dream Girl on local station KAOS. After picking up the guitar, in 1987 she formed the short-lived Cradle Robbers with future Spinane Rebecca Gates before joining drummer Pat Maley in the duo Courtney Love, issuing three acclaimed singles before disbanding. Maffeo then relocated to Washington, D.C., where she began playing simply as Lois or sometimes even "the Lois" -- in short, a band made up of herself and whatever backing musicians were available. One early collaborator was Bratmobile drummer Molly Neuman, who regularly accompanied Maffeo live as well as on her first two solo LPs, 1992's lovely Butterfly Kiss and its 1993 follow-up, Strumpet. After issuing the live cassette Lowrider a year later, she toured with drummer Amy Farina, who returned for the Ian MacKaye-produced EP Shy Town; for the full-length Bet the Sky, Maffeo was joined by ex-Tiger Trap drummer Heather Dunn, who remained on board for 1996's Snapshot Radio as well as its full-length follow-up, Infinity Plus. She teamed with Fugazi drummer Brendan Canty for 2000's The Union Themes. ~ Jason Ankeny, All Music Guide
Compilations Featuring Lois (1)
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Never Miss A Beat Kaiser Chiefs |
| The kings of chorus repetition strike again with this good intentioned look at the state of our youth and the failure of the education system. Don't panic! As serious as this may sound, these are neither deep lyrics nor they reflect any worrying shift towards U2-like social analysis. "Never Miss A Beat" does not desperately try to be as popular as "Ruby", which makes it more enjoyable, and although it cannot compare with the Chiefs' best moments (namely, their debut singles) many want to see some sort of getting back to form, fuelled by their collaboration with new Britpop king, Mark Ronson, who was called to produce their forthcoming effort. His Midas touch is expected to rescue the band from the typical disappointing effect of that difficult second album. This new single, though, lacks of the shock and awe effect a different sound direction would have provided; instead Ronson respectfully brings the band back to the familiar sonic frame where Kaiser Chiefs used to feel at home, but a few surprises may be unveiled when "Off With Their Heads" gets a release. | |
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