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About The Wombats
Humorous pop-punk bands are a mainstay of many large towns, so it takes something more for one to break into the mainstream. Enter the Wombats, a three-man cross between Art Brut's Wire-like fractured art-punk and Half Man Half Biscuit's wicked Liverpudlian humor. Not only are the Wombats fellow Scousers, they have a tangential Beatles connection: singer and guitarist Matthew "Murph" Murphy and drummer Dan Haggis formed the Wombats in 2003 when they were students at the Paul McCartney-founded Liverpool Institute for the Performing Arts. After drafting in bassist Tord Overland Knudsen (unsurprisingly, not a native of Liverpool, but a Norwegian student also attending the LIPA), the members of the new trio chose their name at random on the day of their first gig. Though early shows were as much alcohol-fueled Dada-esque performance art as anything else (the three members dressed in jester's outfits and sang songs with titles like "Ode to Charles the Goat"), the trio quickly progressed into a spiky blend of danceable indie rock, Murph's sardonic lyrics, and high-energy pop hooks. The Wombats signed to the indie label Kids Records in 2005 and released three singles, "Lost in the Post," "Moving to New York," and "Backfire at the Disco," the last of which reached the U.K. Top 30 singles chart. At that point, the trio made the jump to the higher-profile indie 14th Floor Records and released its breakthrough single, "Let's Dance to Joy Division" ("and celebrate the irony" continues the chorus), in the summer of 2007. The band's debut album, A Guide to Love, Loss & Desperation, followed. ~ Stewart Mason, All Music Guide
The Wombats's Discography (6)
| Moving To New York |
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| The Wombats EP |
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| Backfire At The Disco | 14th Floor R... |
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| A Guide To Love, Loss & Desperation | 14th Floor R... |
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| Backfire At The Disco | Copyright Control |
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Compilations Featuring The Wombats (3)
| XFM: Debut Sessions | XFM Limited |
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| Be A Caveman: THE BEST OF THE VOXX GARAG... | Voxx Records |
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| The Roots Of Powerpop | Bomp! Records |
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Shazamers Who iD'd The Wombats
| Featured Review | |
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Dear Science TV On The Radio |
| On the way to be established as the best American band of the decade, TV on the Radio's third album has arrived surrounded by five star reviews. Good news is the music totally justifies this level of hype. The Brooklyn-based combo has not abandoned their experimental nature; albeit "Dear Science" sounds deliberately shinier, funkier and more accessible than its, already polished, precursor "Return to Cookie Mountain." Lyrically, though, is quite a darker proposition. Many see on its tone a suitable metaphor to describe their country's collective mood, demoralized and confused, right at the end of Bush's presidency. The band's eclecticism is on full display: electro hooks next to D&B touches; shoegaze's atmospheric layers mixed with post-rock's bass lines via P-funk, often all in the same song. This sonic fusion can be as impressive as disorientating; rich and dense, but also the key that makes TV on the Radio's work improve with repeated listening. Main vocalist Tunde Adebimpe, often helped by guitar player Kyp Malone on second vocals, appears as a sort of missing link between Peter Gabriel and Prince; whereas David Sitek recently turned into producer du jour, applies his multi-instrument playing skills. Members of Antibalas guest on horns, highlighting the romance a new generation of US bands is having with African music. Celebration's Katrina Ford also helps in the mighty single "Golden Age" and the ballad "Family Tree", another of the album's many standout moments. . | |
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