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Marie Serneholt

Marie Serneholt

About Marie Serneholt

Stockholm-born singer and model Marie Serneholt broke into the music industry as a member of the A-Teens, a teen pop group that sold nearly ten million albums worldwide. Initially, the group updated ABBA hits for a younger generation, and they went on to release a total of four albums. Ten of their singles reached the Top Ten of Sweden's pop chart. Upon the A-Teens' split, Serneholt went into modeling and stepped away from music, but she began recording solo material during 2005 with Jörgen Elofsson, whose songwriting credits had included Britney Spears' "(You Drive Me) Crazy" and Kelly Clarkson's "A Moment Like This," as well as hits for Steps, Westlife, Gareth Gates, and Will Young. Enjoy the Ride, Serneholt's first solo album, was released in March 2006 through Elofsson's Sony BMG-distributed boutique label; by the end of the year, three of its songs had been released as singles, with only "That's the Way My Heart Goes" reaching Sweden's Top Ten. ~ Andy Kellman, All Music Guide

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Marie Serneholt's Discography  (3)

That's The Way My Heart Goes  That's The Way My Heart Goes more more
Enjoy The Ride  Enjoy The Ride more more
I Need A House  I Need A House more more

Compilations Featuring Marie Serneholt  (4)

Booom 2006, 3  Booom 2006, 3 more more
Bravo Hits 53  Bravo Hits 53 more more
The Dome Vol.38  The Dome Vol.38 more more
Toggo Music 13  Toggo Music 13 more more

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Beat Control Beat Control
Tilly And The Wall
"O",The third offering from Omaha's indie darlings, left a bitter taste in our mouths while passing completely unnoticed thanks to a lacklustre collection of rather dull tunes. Luckily for the tap-dancing five-piece, they kept an ace up their sleeves and it's about to become an unexpected hit as the Radio 1 has playlisted it. "Beat Control" was originally released as a very limited edition 7" single, in between albums, and it was not meant to be included in "O". Hailed as a shift towards dance-pop, with some discreet electronic touches, it showed a welcomed new direction for the band, away from their habitual folky-pop. Many would have preferred them following that path. Better late than never, if this track confirms its potential it could become the cornestone of Tilly & The wall's future.
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