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DJ Shadow Feat. Mos Def

DJ Shadow Feat. Mos Def

About DJ Shadow Feat. Mos Def

Initially regarded as one of the most promising rappers to emerge in the late '90s, Mos Def turned to acting in subsequent years as music became a secondary concern for him. He did release new music from time to time, including albums such as The New Danger (2004), but his output was erratic and seemingly governed by whim. Mos Def nonetheless continued to draw attention, especially from critics and underground rap fans, and his classic breakthrough albums -- Black Star (1998), a collaboration with Talib Kweli and Hi-Tek; and Black on Both Sides (1999), his solo debut -- continued to be revered, all the more so as time marched forward. Mos Def often used his renown for political purposes, protesting in the wake of Hurricane Katrina in 2005 and the Jena Six incident in 2007, for instance. Born Dante Terrell Smith on December 11, 1973, in Brooklyn, NY, Mos Def began rapping at age nine and began professionally acting at age 14, when he appeared in a TV movie. After high school, he began acting in a variety of television roles, most notably appearing in 1994 on a short-lived Bill Cosby series, The Cosby Mysteries. In 1994 Mos Def formed the rap group Urban Thermo Dynamics with his younger brother and sister, and signed a recording deal with Payday Records that didn't amount to much. In 1996 his solo career was launched with a pair of high-profile guest features on De La Soul's "Big Brother Beat" and Da Bush Babees' "S.O.S." A year later, in 1997, Mos Def released his debut single, "Universal Magnetic," on Royalty Records, and it became an underground rap hit. This led to a recording contract with Rawkus Records, which was just getting off the ground at the time, and he began working on a full-length album with like-minded rapper Talib Kweli and producer Hi-Tek. The resulting album, Black Star (1998), became one of the most celebrated rap albums of its time. A year later came Mos Def's solo album, Black on Both Sides, and it inspired further attention and praise. Yet, aside from appearances on the Rawkus compilation series Lyricist Lounge and Soundbombing, no follow-up recordings were forthcoming, as the up-and-coming rapper turned his attention elsewhere, away from music. During the early 2000s, Mos Def acted in several films (Monster's Ball, Bamboozled, Brown Sugar, The Woodsman) and even spent some time on Broadway (the Pulitzer Prize-winning Topdog/Underdog). He simultaneously worked on the Black Jack Johnson project with several iconic black musicians: keyboardist Bernie Worrell (Parliament/Funkadelic), guitarist Dr. Know (Bad Brains), drummer Will Calhoun (Living Colour), and bassist Doug Wimbish (the Sugarhill Gang, Grandmaster Flash, Living Colour). This project aimed to reclaim rock music, especially the rap-rock hybrid, from such artists as Limp Bizkit frontman Fred Durst, who Mos Def openly despised. What made Black Jack Johnson so anticipated though was not so much the supergroup roster of musicians or even Mos Def himself, but rather the lack of black rock bands. Following the demise of Living Colour, there were few, if any, that had attained substantial success. Mos Def hoped to infuse the rock world with his all-black band, and during the early 2000s, he performed several small shows with his band around the New York area. In October 2004, he finally delivered a second solo album, The New Danger, which involved Black Jack Johnson on a few tracks. Two years later, after a few more acting roles -- including the Golden Globe-winning Lackawanna Blues and the Emmy-winning Something the Lord Made, both of which were made-for-television movies -- Mos Def released his third solo album, True Magic (2006). A contract-fulfilling release for Geffen, which had absorbed Rawkus years prior, the album trickled out in a small run during the last week of 2006. Bizarrely, the disc came with no artwork and was sold in a clear plastic case -- though its single, "Undeniable," did manage to grab a Grammy nomination for Best Rap Solo Performance. Months later, Geffen re-released it with full artwork and a slightly different track listing. ~ Jason Birchmeier, All Music Guide

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DJ Shadow Feat. Mos Def's Discography  (2)

Six Days  Six Days Universal Is... more more
Six Days TOMORROW NEVER COMES UNTIL... Six Days: TOMORROW NEVER COMES UNTIL... Universal Is... more more

Compilations Featuring DJ Shadow Feat. Mos Def  (13)

Most Of The Remixes We've Made For Other People Over The Years Except For The One For Einstürzende  Most Of The Remixes We've Made For Other... Soulwax more more
The Fast And The Furious: Tokyo Drift ORIGINAL MOTION PICTURE SOUNDTRACK The Fast And The Furious: Tokyo Drift: O... Universal Records more more
Pure Drum & Bass  Pure Drum & Bass Universal Mu... more more
B Chill 2  B Chill 2 Phonokol Lim... more more
The Private Press (Limited Edition Double CD)  The Private Press (Limited Edition Double CD) more more

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Featured Review
Trompeta Trompeta
SIS
Be it the underground nature of dance music nowadays or a general inability to produce chart friendly tracks, but the six month decamp of the world's most hardened clubbers and DJ's to Ibiza doesn't seem to uncover as many cross-over records as it did a few years ago. However, despite nothing like Moloko's "Sing It Back" or Spiller's "Groove Jet" being unearthed this year, there has been plenty of exciting club tracks keeping the dance fraternity happy – the king of which has been SIS's "Trompeta". A favourite at Cocoon, which won "Best Ibiza Night" at the recent DJ Awards, and a staple in sets of Luciano and Ricardo Villalobos, who incidentally shared the award for "Best Ibiza Set" at the same awards show; “"Trompeta" has successfully burrowed its way into the minds of Ibiza holiday makers and now looks set to flourish with the season's close and the tracks official release. Taking a sizeable chunk from Balkan Beat Box's "Bulgarian Chicks" and coupling it with a clattering kick/ hi hat shuffle and speaker busting bottom end, "Trompeta's" repetitive Trumpet led hooks have made it an instantly memorable dance hit at odds to the thoughtful techno that often surrounds it on Ibiza's cooler club nights. However, like last year's dance cross over "Heater", this track quickly divides opinion as the simple hooks and general quirkiness of what makes the record appealing also makes it unpalatable to some clubbers and DJ's striving to stay on the cutting edge. Love it or hate it, this record has emerged as one of the most popular in the last six months.
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