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About Sash!
Appearing out of nowhere during 1997, Sash! became one of the best-selling Euro-house artists of the year, with three consecutive instrumental hits: "Encore Une Fois," "Ecuador" and "Stay." Based in Cologne, he worked as an electrical engineer before growing into the DJ business, first as a part-time gig. In 1995, he began producing as Sash! with the help of Thomas Lüdke and Ralf Kappmeier. The trio's "It's My Life" became a dancefloor hit later that year, triggering success for the follow-up, "Encore Une Fois." Early in 1997, it hit the Top Ten in dozens of countries. Both "Ecuador" and "Stay" were similarly successful, prompting PolyGram to sign Sash! for the debut album It's My Life. The single "La Primavera" also became popular on the continent during 1998, from his second album Life Goes On. Sash! also remixed 2 Unlimited, Jean-Michel Jarre and Dr. Alban, returning in 2000 with Trilennium. ~ John Bush, All Music Guide
Sash!'s Discography (7)
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The Best Of Album Sampler | Hard2beat Records |
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I Believe | X-It Records GmbH |
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Run: THE REMIX EDITION | X-It Records GmbH |
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Best Of Sash!: encore une fois | Edel Records GmbH |
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Encore Une Fois: The Greatest Hits, Incl... | Multiply Records |
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Compilations Featuring Sash! (20)
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Trance Anthems 2008 | Ministry Of... |
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The Very Best Of Euphoric Dance Breakdown | Ministry Of... |
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Put You Hands Up! 4 | Hard2beat Records |
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Classic Dance Anthems | Ministry Of... |
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Ministry Of Sound Ibiza Annual 2007 | Ministry Of... |
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Shazam Recommends...
Shazamers Who iD'd Sash!
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Kids MGMT |
| With 2005's "Time To Pretend" MGMT created a musical moment that would resonate for the next three years, putting it amongst the creme de la creme of new millennium indie anthems. With latest single, "Kids", MGMT fail to scale the heights they did with their first single, but still deliver a track that has met with strong approval from such critical sources as Pitchfork media, Zane Lowe and, surprisingly, dance music bible Mixmag who cited it as one of their "tunes of the year". Sporting an overridingly childlike melody that shimmers due to the interesting use of a distorted stylophone, the track washes over the listener thanks to the great use of a Gary Numan-esque synth line. This is all brought to the fore on the new remix by Belgian dance maestros Soulwax, who turn the muted indie cool of the original into an irrepressible club monster. If any evidence is needed, here is a clip of Erol Alkan playing the track at the recent Pukkelpop festival. Quite simply, amazing! | |
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