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Jodeci

Jodeci

About Jodeci

If Boyz II Men are portrayed as a clean-cut, wholesome R&B vocal group, then Jodeci's wild, sexual, bad-boy image represents the other side of the coin. Made up of two sets of brothers, the group's name is a consolidation of three members' aliases: "JoJo" Hailey, Donald "DeVante Swing" DeGrate, and Cedric "K-Ci" Hailey; the group also includes Dalvin DeGrate. Natives of Charlotte, NC, all four members toured the South as young boys singing gospel music, even recording albums; both families belonged to the Pentecostal church, and the DeGrates' father was a minister. The boys were able to hear each other's gospel songs played on the radio, and eventually were introduced through girlfriends as teenagers. However, when they did meet, K-Ci was with a girl Dalvin had been dating, and a fight nearly broke out. The Hailey brothers and DeVante started hanging out together, partying and talking about making R&B records together, coming up with the name Jodeci at this time. At age 16, DeVante ran away to Minneapolis to get a job in Prince's organization, but was refused. He returned to Charlotte, where he wrote a song and recorded JoJo singing it. The two planned on going to New York to shop the demo around by themselves, but both K-Ci and Dalvin decided to tag along at the last minute. By the time they got to New York, they had demo recordings of 29 songs, which they brought to the offices of Uptown Entertainment. They were almost rejected, but rapper Heavy D overheard the tape and talked Uptown president Andre Harrell into hearing the group. Harrell was impressed, and just like that, Jodeci signed a recording contract. In 1991, they recorded Forever My Lady, which featured the gold single "Come and Talk to Me" and went on to sell over three million copies. A minor feud resulted over the band's follow-up album, Diary of a Mad Band; Jodeci, unhappy with their treatment by Uptown, flirted with the idea of leaving for Dr. Dre's Death Row Records, which resulted in almost zero promotion for their new album. It didn't matter much, as Diary went platinum. The group's troubles got worse in 1993; DeVante and K-Ci were involved in an incident with a woman K-Ci met at a club and brought back to DeVante's apartment. The woman filed charges against the two, saying that K-Ci had threatened her and fondled her breast, while DeVante pointed a gun at her. Both pleaded guilty, but that wasn't all; shortly afterwards, DeVante's house was robbed of over 160,000 dollars in jewelry and clothes as the singer was held with guns in his mouth and at the back of his head. Jodeci's third album, The Show, the After Party, the Hotel, was released in the summer of 1995. DeVante also was afforded the opportunity to work with Al Green, one of his idols, writing and producing the song "Could This Be the Love." ~ Steve Huey, All Music Guide

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Jodeci's Discography  (5)

The Best Of Jodeci 20th Century Masters The Millennium Collection The Best Of Jodeci: 20th Century Masters... Universal Records more more
Back To The Future: THE VERY BEST of JODECI Back To The Future:: THE VERY BEST of JODECI Universal Records more more
The Show/The After-Party/The Hotel  The Show/The After-Party/The Hotel MCA more more
Diary Of A Mad Band  Diary Of A Mad Band MCA Records Inc more more
Forever My Lady  Forever My Lady MCA more more

Compilations Featuring Jodeci  (20)

Twice As Nice: Urban Anthems  Twice As Nice: Urban Anthems Universal Mu... more more
Bad Boy's R&B Hits  Bad Boy's R&B Hits Bad Boy Records more more
Kiss Smooth R&B  Kiss Smooth R&B Universal Mu... more more
XXX Hip Hop Vol. 2  XXX Hip Hop Vol. 2 Mercury Reco... more more
Back To Mine  Back To Mine DMC Publishing more more

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Featured Review
Beat Control Beat Control
Tilly And The Wall
"O",The third offering from Omaha's indie darlings, left a bitter taste in our mouths while passing completely unnoticed thanks to a lacklustre collection of rather dull tunes. Luckily for the tap-dancing five-piece, they kept an ace up their sleeves and it's about to become an unexpected hit as the Radio 1 has playlisted it. "Beat Control" was originally released as a very limited edition 7" single, in between albums, and it was not meant to be included in "O". Hailed as a shift towards dance-pop, with some discreet electronic touches, it showed a welcomed new direction for the band, away from their habitual folky-pop. Many would have preferred them following that path. Better late than never, if this track confirms its potential it could become the cornestone of Tilly & The wall's future.
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