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About Octave One
One of the more anachronistic teams in the Detroit techno underground, Octave One's rough-and-tumble production values gel with most Motor City crews but for Lawrence Burden and his two brothers, the focus is completely on music with little political or social aesthetics behind their tracks. Burden originally began DJing in 1987 in a collective named VLE Nu AGE, then recorded a single in 1989 with the help of brothers Lynell and Lenny plus Anthony Shakir, Jay Denham and Juan Atkins. Originally released on Derrick May's Transmat Records, "I Believe" made waves after being compiled onto the British Detroit compilation Techno! The New Dance Sound of Detroit, helping the Burdens form Direct Beat/430 West Records (originally located at 430 West 8 Mile Road in Detroit). The labels became favored names for hard-hitting electro-bass tracks from Aux 88, Alien FM and Underground Resistance mainman Mad Mike Banks. Besides later Octave One output like "The X Files," the Foundation EP and the Cymbolic mini-LP, 430 West released several volumes in the bass compilation Detroit: Techno City and Direct Beat obliged with the compilation Techno Bass: The Mission. In late 1997, Octave One released their debut album, The Living Key (To Images from Above). The following year brought The Collective, a look at the group's back catalogue. Releases from other Octave One incarnations have also appeared, including Never on Sunday, Random Noise Generation (RNG) and Metro D. ~ John Bush, All Music Guide
Octave One's Discography (3)
| The Theory Of Everything |
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| "Black Water" | Concept Music |
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| Blackwater | Concept Music NV |
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Compilations Featuring Octave One (20)
| Exhibitionist | Axis Records |
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| Exhibitionist: A Jeff Mills Mix | Axis Records |
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| Mastercuts Beach Bar | Beechwood Music |
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| The Summer Sound System 2002: mixed by... | Ministry Of Sound |
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| Expansions: DANNY KRIVIT | NRK |
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Shazam Recommends...
Shazamers Who iD'd Octave One
| Featured Review | |
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Never Miss A Beat Kaiser Chiefs |
| The kings of chorus repetition strike again with this good intentioned look at the state of our youth and the failure of the education system. Don't panic! As serious as this may sound, these are neither deep lyrics nor they reflect any worrying shift towards U2-like social analysis. "Never Miss A Beat" does not desperately try to be as popular as "Ruby", which makes it more enjoyable, and although it cannot compare with the Chiefs' best moments (namely, their debut singles) many want to see some sort of getting back to form, fuelled by their collaboration with new Britpop king, Mark Ronson, who was called to produce their forthcoming effort. His Midas touch is expected to rescue the band from the typical disappointing effect of that difficult second album. This new single, though, lacks of the shock and awe effect a different sound direction would have provided; instead Ronson respectfully brings the band back to the familiar sonic frame where Kaiser Chiefs used to feel at home, but a few surprises may be unveiled when "Off With Their Heads" gets a release. | |
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