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About Jazze Pha
Atlanta-based Jazze Pha (born Phalon Alexander), the son of original Bar-Kays bassist James Alexander, began racking up session credits in the mid-'90s and became one of the hottest beat-makers around the turn of the following decade. Predominantly a producer of Southern rap, Pha's handiwork led to Top 20 hits for Field Mob ("Sick of Being Lonely") and Ciara ("1, 2 Step"), and he also worked on records by Too Short, Slick Rick, Ludacris, Lil' Wayne, OutKast, T.I., Ruben Studdard, and Nelly. In 2005, he signed a production deal with the Cash Money label, which had previously counted only Mannie Fresh as an in-house producer. ~ Andy Kellman, All Music Guide
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Compilations Featuring Jazze Pha (20)
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Kamikaze | Atlantic Rec... |
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Goodies |
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Speakerboxxx/The Love Below | Arista Recor... |
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Awnaw | Atlantic Rec... |
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Awnaw | Atlantic Rec... |
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Shazam Recommends...
| Featured Review | |
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Girls Sugababes |
| By roping in credible producers such as Richard X and peppering their songs with up to the minute electro touches, Sugababes have managed to create songs that appealed as much to the cynical music press as it did to teenage girls. Throw in a revolving door line up and a media fascination with the bands perceived moodiness and you have a recipe for the most successful girl band of the new millennium. However on "Girls", a cover of Ernie K-Does early R&B classic "Here Comes The Girls", The "Babes" lack any of the inventiveness that made singles such as "Freak Like Me" and "Push The Button" so enjoyable. As countless artists have proved over the years, there's nothing wrong with uncovering a hidden gem and putting your own spin on things; Soft Cell's "Tainted Love" springs to mind as a good example. However, you can't help thinking that The Sugababes' producers have hardly been "diggin' in the crates" to uncover "Here Come The Girls" since it has been used extensively by Boots over the last couple of years to sell beauty products. Throw in a few predictable Mark Ronson style horn riffs and you have a sub Atomic Kitten mess that tarnishes a lot of the bands efforts to be taken seriously. | |
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