Artist Search Results
About M/A/R/R/S
M/A/R/R/S' lone single "Pump Up the Volume" remains a watershed in the history of sampling, heralding its gradual absorption from hip hop into dance music and ultimately the pop mainstream. The 1987 record was the brainchild of 4AD chief Ivo Watts-Russell, who assembled M/A/R/R/S' line-up from the ranks of label acts Colourbox and AR Kane; the concept behind the single was to fuse the rhythms and beats from classic soul recordings with state-of-the-art electronics and production, complete with scratches by champion mixer Chris "C.J." Mackintosh and London DJ Dave Dorrell. Originally mailed in an anonymous white label to a group of 500 influential DJs, "Pump Up the Volume" derived its title from the Eric B. & Rakim rap snippet that was the disc's most obvious sample; it appeared commercially six weeks later, debuting in the Top 40 of the UK charts and eventually reaching Number One, where for untold listeners it served as an introduction to the nascent underground dance scene. "Pump Up the Volume" was also a hit overseas, but plans for a follow-up never materialized as M/A/R/R/S quickly disintegrated in the wake of financial squabbling, becoming a one-hit wonder of rare influence. ~ Jason Ankeny, All Music Guide
Compilations Featuring M/A/R/R/S (12)
| Culture Club Volume 4 | News |
more
|
|
| Best Of of 82/87 | 4AD |
more
|
|
| Retro Dance Masters: 1987-2000 revisited | Virgin Recor... |
more
|
|
| Retro Dance Masters: 1987-2000 revisited | Virgin Recor... |
more
|
|
| We Call It Acieeed!: 36 of the maddest a... | Warner Music... |
more
|
|
Shazam Recommends...
Shazamers Who iD'd M/A/R/R/S
| Featured Review | |
|
|
The Holy Pictures David Holmes |
| Four years in the making, since venturing into the rugged rock-jazz-blues arena with The Free Association; to prepare his fourth proper album David Holmes has put aside Hollywood commitments that began as the soundtrack composer for Steven Sorderbergh movies and has nearly become Holmes main activity as forthcoming soundtracks for the Bobby Sands biopic "Hunger" and "Five Minutes of Heaven" undeniably prove. "The holy pictures" is named after the pub his father was a regular of and conceived as a tribute to the city of Belfast and its people. On it our favourite North Irish DJ gives another lecture on eclecticism and takes a 180 degree turn towards the trendy road where shoegazing and krautrock meet. Next to his cinematic instrumentals, the main surprise here is Holmes singing for the first time, in a not too different manner to Jesus & Mary Chain's Jim Reid. Best example is the first single "I heard wonders", helped by Martin Rev, one half of 70s icons Suicide. Other highlights include the closing track "The Ballad Of Jack and Sarah" dedicated to his parents. Altogether, is a beautiful and rewarding record; his most personal to date. | |
|
|
|

more
more