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About Dusk
During their all too brief mid-'90s existence, Green Bay, WI's Dusk were responsible for recording some of the harshest and most uncompromising music to grace the spheres of doom and death metal; so uncompromising, in fact, that the band never escaped cult status before breaking up. Dusk's roots date back to the start of the 1990s, with Steve Crane (vocals/bass) and Steve Gross (guitar/keyboards) finding inspiration in doom/death pioneers like England's Paradise Lost and My Dying Bride, and New Yorkers Winter, among others. After corralling second guitarist Tim Beyer and drummer Ron Heemstra to complete their lineup, the band produced two independent releases in quick succession: 1994's eponymous first effort and the following year's Majestic Thou in Ruin, which saw them listed alongside similarly dedicated but obscure American extreme doom practitioners like California's Morgion, Chicago's Novembers Doom, and New Jersey's Evoken. But personal problems eventually arose between the two Steves, so that by the time a long absent Dusk contributed the song "Yearning for Eternity" to 1998's Visionaries of the Macabre, Vol. 1 compilation, Crane had been replaced by a new vocalist and bassist. A few more demos from 1997 would eventually find release eight years later, but by then Dusk had long ceased to exist. ~ Eduardo Rivadavia, All Music Guide
Compilations Featuring Dusk (4)
| Late Night Sessions: Good Time Grooves f... | Ministry Of... |
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| North Of Watford: Volume 2, 24 RARE POP... | KRL |
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| Blueprint |
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| Late Night Sessions |
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Shazamers Who iD'd Dusk
| Featured Review | |
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The Holy Pictures David Holmes |
| Four years in the making, since venturing into the rugged rock-jazz-blues arena with The Free Association; to prepare his fourth proper album David Holmes has put aside Hollywood commitments that began as the soundtrack composer for Steven Sorderbergh movies and has nearly become Holmes main activity as forthcoming soundtracks for the Bobby Sands biopic "Hunger" and "Five Minutes of Heaven" undeniably prove. "The holy pictures" is named after the pub his father was a regular of and conceived as a tribute to the city of Belfast and its people. On it our favourite North Irish DJ gives another lecture on eclecticism and takes a 180 degree turn towards the trendy road where shoegazing and krautrock meet. Next to his cinematic instrumentals, the main surprise here is Holmes singing for the first time, in a not too different manner to Jesus & Mary Chain's Jim Reid. Best example is the first single "I heard wonders", helped by Martin Rev, one half of 70s icons Suicide. Other highlights include the closing track "The Ballad Of Jack and Sarah" dedicated to his parents. Altogether, is a beautiful and rewarding record; his most personal to date. | |
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