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Gordon

Gordon

About Gordon

None of the five guys in LA-based Gordon are named Gordon, or Flash, or even Lightfoot. But they do relate to "guys who kind of operate outside of society's predictable standards -- "Gordons," as they say. They're definitely operating outside of the music industry's unpredictable standards, however. The band, who describes their style as "moody, psychedelic hop rock," signed with Sony's Fifty-Seven/550 Music label less than three years out of the chute, after having played out on stage exactly zero times. Their self-titled CD debuted in 1999. Vocalist Chris Dye and bassist Greg Evanshi played with the Dashboard Prophets before signing on with the Greg Evanshi, Dave Sobel, and Lance Porter of Dive Styler, Shining Path, and the Freewheelers. Although Gordon had made an initial "typical Indie deal" with Delicious Vinyl for a short run in 1998, the deal became undone at almost the same time they'd made contact with Stewart Management of Los Angeles. Wunderkind producer Brendan O'Brien, impressed with their demo and glad to hear of Gordon's break with DV, arranged an eleven-song recording at Southern Tracks studios in Atlanta. The album project survived frontman replacement of Josh Kamin by Dye, and the band acquired drummer Porter before commencing its first tour of the western states in December of 1998. The good news began pouring in: USA Today named Gordon's first album one of the most anticipated of the year, and the BPI's new Billboard Weather Bureau featured them on their cover, characterizing them as "outstanding ... pure enjoyment" in the "new music climate." ~ Becky Byrkit, All Music Guide

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Featured Review
The Holy Pictures
David Holmes
Four years in the making, since venturing into the rugged rock-jazz-blues arena with The Free Association; to prepare his fourth proper album David Holmes has put aside Hollywood commitments that began as the soundtrack composer for Steven Sorderbergh movies and has nearly become Holmes main activity as forthcoming soundtracks for the Bobby Sands biopic "Hunger" and "Five Minutes of Heaven" undeniably prove. "The holy pictures" is named after the pub his father was a regular of and conceived as a tribute to the city of Belfast and its people. On it our favourite North Irish DJ gives another lecture on eclecticism and takes a 180 degree turn towards the trendy road where shoegazing and krautrock meet. Next to his cinematic instrumentals, the main surprise here is Holmes singing for the first time, in a not too different manner to Jesus & Mary Chain's Jim Reid. Best example is the first single "I heard wonders", helped by Martin Rev, one half of 70s icons Suicide. Other highlights include the closing track "The Ballad Of Jack and Sarah" dedicated to his parents. Altogether, is a beautiful and rewarding record; his most personal to date.
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