Artist Search Results
About Roy
Reaching all the way back to Bob Dylan and the Band's pioneering blend of mythic Americana and shaggy rock & roll, alongside more recent points of comparison like Built to Spill, Modest Mouse, and My Morning Jacket, Roy (a band, not a dude) blend spiky post-Pavement indie rock with folk and country influences for a sound that's connected to the musical past but not beholden to it. For over a decade, singer and guitarist Brian Cook and drummer Dave Verellen were the mainstays of Botch, a Seattle post-hardcore act specializing in heavy riffs and showy time-signature shifts. Roy began as a side project in 2002, bringing Cook and Verellen together with singer and guitarist Ben Verellen and bassist Mike Cooper. Naming themselves after the small rural town near Tacoma where Dave Verellen lived and worked as a firefighter, Roy debuted with 2003's Tacomatose EP, followed by 2004's Big City Sin and Small Town Redemption. Though Roy toured extensively behind their two records, the band went on a temporary hiatus while Cook and Ben Verellen turned their focus to another side project, the more Botch-like heavy math rockers These Arms Are Snakes. Roy reconvened in 2005 to write and record their second full-length album, Killed John Train, which was released by Lujo Records in the spring of 2006. ~ Stewart Mason, All Music Guide
Compilations Featuring Roy (7)
| Club Hits 2003 | Inspired |
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| Sounds From The Verve Hi Fi | The Verve Mu... |
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| DJ Darkzone Presents Clubmasters | MNF Records |
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| Independent Jamaica: Songs Of Fredom Fro... | Sanctuary Re... |
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| Spirit Of Disco | ZYX Music |
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Shazam Recommends...
| Featured Review | |
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Dear Science TV On The Radio |
| On the way to be established as the best American band of the decade, TV on the Radio's third album has arrived surrounded by five star reviews. Good news is the music totally justifies this level of hype. The Brooklyn-based combo has not abandoned their experimental nature; albeit "Dear Science" sounds deliberately shinier, funkier and more accessible than its, already polished, precursor "Return to Cookie Mountain." Lyrically, though, is quite a darker proposition. Many see on its tone a suitable metaphor to describe their country's collective mood, demoralized and confused, right at the end of Bush's presidency. The band's eclecticism is on full display: electro hooks next to D&B touches; shoegaze's atmospheric layers mixed with post-rock's bass lines via P-funk, often all in the same song. This sonic fusion can be as impressive as disorientating; rich and dense, but also the key that makes TV on the Radio's work improve with repeated listening. Main vocalist Tunde Adebimpe, often helped by guitar player Kyp Malone on second vocals, appears as a sort of missing link between Peter Gabriel and Prince; whereas David Sitek recently turned into producer du jour, applies his multi-instrument playing skills. Members of Antibalas guest on horns, highlighting the romance a new generation of US bands is having with African music. Celebration's Katrina Ford also helps in the mighty single "Golden Age" and the ballad "Family Tree", another of the album's many standout moments. . | |
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