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Jem

Jem

About Jem

Before she straddled the border between electronica and pop/rock with songs like "They," Jem Griffiths began the roundabout road to songstress stardom in Cardiff, Wales, where the singer was born and raised. She later attended Sussex University, balancing her coursework with an emerging interest in music. Although still enrolled at Sussex, Griffiths became a talent scout for local DJs and helped promote the city's club events; she also helped launch the electronica imprint Marine Parade while rubbing shoulders with Lo Fidelity Allstars and breakbeat techno producer Adam Freeland. After dropping her last name and moving back home, Jem began building tracks on her own, as well as fine-tuning her voice. Not content to stay in one place, Jem relocated to London with demos in hand. There, she collaborated with producer Guy Sigsworth (picking up a writing credit for the Madonna track "Nothing Fails" in the process) before landing in America and hooking up with hip-hop producer Ge-Ology and programming whiz Yoad Nevo (Bond, Sophie Ellis-Bextor). Together, they tweaked Jem's music into an amalgam of soft electronica and soothing, Dido-like vocals. Such an appealing sound found an audience in early 2002, when radio DJ Nic Harcourt -- an employee at LA's tastemaking KCRW station and host of Morning Becomes Eclectic -- began spinning the breezy Jem track "Finally Woken." This exposure led to a deal with ATO Records, which issued Jem's introductory EP, It All Starts Here, in autumn of the following year. A full-length effort entitled Finally Woken appeared in March 2004, and the hauntingly appealing "They" (which featured a sample from the Swingle Singers' adaptation of a Johann Sebastian Bach composition) found success on both sides of the Atlantic, even peaking at number six in the U.K. Jem's music subsequently found its way onto a number of movies and TV shows, and she returned in 2008 with her second effort, Down to Earth. ~ Andrew Leahey & Johnny Loftus, All Music Guide

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Featured Review
Girls Girls
Sugababes
By roping in credible producers such as Richard X and peppering their songs with up to the minute electro touches, Sugababes have managed to create songs that appealed as much to the cynical music press as it did to teenage girls. Throw in a revolving door line up and a media fascination with the bands perceived moodiness and you have a recipe for the most successful girl band of the new millennium. However on "Girls", a cover of Ernie K-Does early R&B classic "Here Comes The Girls", The "Babes" lack any of the inventiveness that made singles such as "Freak Like Me" and "Push The Button" so enjoyable. As countless artists have proved over the years, there's nothing wrong with uncovering a hidden gem and putting your own spin on things; Soft Cell's "Tainted Love" springs to mind as a good example. However, you can't help thinking that The Sugababes' producers have hardly been "diggin' in the crates" to uncover "Here Come The Girls" since it has been used extensively by Boots over the last couple of years to sell beauty products. Throw in a few predictable Mark Ronson style horn riffs and you have a sub Atomic Kitten mess that tarnishes a lot of the bands efforts to be taken seriously.
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