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Michael Mayer

Michael Mayer

About Michael Mayer

The only point of criticism with Michael Mayer is that he doesn't release enough of his own productions. One of the key figures of Cologne, Germany's electronic music scene, Mayer also has durable reputations as a remixer, DJ, and producer, and has released a small handful of his own singles on Kompakt -- a label he helps run with founder Wolfgang Voigt -- and Kompakt-related labels like New Trance Atlantic (NTA) and Kreisel 99. His own productions, whether dabbling in house or techno, tend to be minimal with dubby flourishes -- and no two sound alike. Kompakt Köln Präsentiert Michael Mayer, a mix album of tracks from the likes of Sanosol, Herbert, OM1, and the Modernist, was released in 1998 by Neuhouse. Four years later, Kompakt issued Immer, another mix album. Tracing the developments made in micro-house/tech-house made since Mayer's previous mix, Immer featured material from Carsten Jost, Akufen, Selway, and A Rocket in Dub. At this point, Mayer became something of a poster boy for Cologne techno. In 2003, he released a pair of mixes. The first was based on the first several releases in Kompakt's Speicher series, while the second was commissioned by London's Fabric series. The following year, Mayer released a second Speicher mix and finally delivered his long-promised debut album of productions (Touch). [See also: Forever Sweet; Zimt.] ~ Andy Kellman, All Music Guide

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Michael Mayer's Discography  (1)

Touch  Touch more more

Compilations Featuring Michael Mayer  (17)

Hotel Costes 8  Hotel Costes 8 Pschent more more
Melt!  Melt! more more
Fabric 24 rob da bank Fabric 24: rob da bank Fabric Records more more
Fabric 23  Fabric 23 Fabric Records more more
Fabric 15  Fabric 15 Fabric Recor... more more

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Never Miss A Beat Never Miss A Beat
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The kings of chorus repetition strike again with this good intentioned look at the state of our youth and the failure of the education system. Don't panic! As serious as this may sound, these are neither deep lyrics nor they reflect any worrying shift towards U2-like social analysis. "Never Miss A Beat" does not desperately try to be as popular as "Ruby", which makes it more enjoyable, and although it cannot compare with the Chiefs' best moments (namely, their debut singles) many want to see some sort of getting back to form, fuelled by their collaboration with new Britpop king, Mark Ronson, who was called to produce their forthcoming effort. His Midas touch is expected to rescue the band from the typical disappointing effect of that difficult second album. This new single, though, lacks of the shock and awe effect a different sound direction would have provided; instead Ronson respectfully brings the band back to the familiar sonic frame where Kaiser Chiefs used to feel at home, but a few surprises may be unveiled when "Off With Their Heads" gets a release.
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