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About Viola Wills
A pre-stardom Barry White began using singer Viola Wills as a session vocalist on sides that he produced for Bob Keane's Bronco/Mustang labels. In the mid-'60s, Keane -- known for hits by Richie Valens, the Bobby Fuller Four, and Johnny Crawford of ABC-TV's hit western The Rifleman -- wanted to expand into soul music. In 1965, A&R director White signed Wills to Bronco as a solo artist. She recorded several sides for the label; all failed to chart. In 1969, she recorded a single for the A Bem Soul label that also failed to hit. In 1974, she replaced backup vocalist Claudia Linnear on Joe Cocker's European tour. While in the U.K., Wills recorded for Goodear. Three years later, she signed with Arista Records. In 1979, while signed to the Ariola/Hansa label, Wills enjoyed her biggest hit with a disco version of Patience and Prudence's 1957 hit "Gonna Get Along Without You." Recording in an up-tempo dance Hi-NRG style, Wills scored dancefloor hits with "If You Could Read My Mind" and "Up on the Roof." Wills had a Top 40 U.K. hit with the double-sided hit "Both Sides Now" and "Dare to Dream" on the Wide Angle label. One of her Bronco singles played an integral part in a number one R&B smash. In the mid-'70s, while working on material for the next Love Unlimited album, group member Glodean James suggested to producer Barry White that he use the piano introduction from Wills' "Lost Without the Love of My Guy" on a new song. At first resistant to the idea because he didn't want to repeat himself, White relented. He reused the piano chord progression from "Lost Without the Love of My Guy" on "I Belong to You." The majestic ballad went to number one R&B in late 1974. It was included on the album In Heat and on Best of Love Unlimited. Though Wills hasn't had a mainstream U.S. hit to date, her singles are popular in dance clubs and a number of her recordings are floating around, including "No News Is News," "House Is Not a Home," "If You Could Read My Mind," "Let's Love Now," "Take One Step Forward" (by Wills and Noel McCalla), and "Always Something There to Remind Me." ~ Ed Hogan, All Music Guide
Compilations Featuring Viola Wills (20)
| Boss Soul: The Genius Of BARRY WHITE, EA... | Vampisoul |
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| Boss Soul: The Genius Of BARRY WHITE, EA... | Vampisoul |
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| Boss Soul: The Genius Of BARRY WHITE, EA... | Vampisoul |
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| Boss Soul: The Genius Of BARRY WHITE, EA... | Vampisoul |
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| Boss Soul: The Genius Of BARRY WHITE, EA... | Vampisoul |
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Shazamers Who iD'd Viola Wills
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Love Lockdown KanYe West |
| KanYe West keeps on challenging the limits of hip-hop: if "Graduation" was his pop album, the first single from "808s and Heartaches" sees the star going all soulful and expanding the most spiritual side of former highlights such as "Jesus Walk" or "Can't Tell me Nothing". Arguably the first interactive recording ever made, thanks to the KanYe's official blog; when the original mix was posted, many fans reacted sending an avalanche of negative feedback; maybe it was the use of popular pitch-altering software autotune, abused in recent times by everyone from Cher to T-Pain, that led the audience to revolt and ended up with the notorious perfectionist re-recording the vocals and adding some taiko drums to highlight its minimal beat, imitating a heart pounding; posting it again afterwards for general approval. Not happy with that, he later went the Radiohead way, making six different stems (vocals, drums, piano, etc.) available for fans to remix the song themselves. "Love Lockdown" can be seen as West upgrading himself from rapper to proper soul singer and is one of his more inspired and powerful moments to date. A mind-blowing closing performance at this year's VMAs ignited a chart frenzy all over the world and it looks set to last for a few months. | |
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