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About Peven Everett
Peven Everett is an underexposed artist of many talents whose work alternately covers the territories of house, R&B, jazz, and hip-hop. Everett, who was born in Harvey, IL, received a scholarship to Berklee College of Music at the age of 17. However, he ended up leaving to perform live with the likes of Betty Carter, Branford Marsalis, and Winton Marsalis. Since then, the multi-instrumentalist has played trumpet on a handful jazz recordings (including Curtis Lundy's Against All Odds) and has become a prominent figure in Chicago's house and R&B communities. He collaborated with Roy Davis Jr. on the U.K. garage smash "Gabrielle" as well as the almost as brilliant "Watch Them Come" (as Men from the Nile). Though he had a number of 12" solo releases prior to 2002, that year was an extremely prolific one for Everett as an artist; in addition to releasing one of the most loved deep house records of the year with I Can't Believe I Loved Her, Everett issued another excellent 12" (Soul Tempura), as well as a pair of soul-driven albums on his Studio Confession label (Speed of Light and Kissing Game). A third Everett solo album was later released by Oakland's ABB label. ~ Andy Kellman, All Music Guide
Peven Everett's Discography (4)
| Power Soul | Soul Heaven... |
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| Studio Confessions | ABB Records LLC |
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| Stuck |
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| Latest Craze |
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Compilations Featuring Peven Everett (20)
| Defected: Louie Vega In The House | ITH Limited |
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| Dennis Ferrer In The House | ITH Limited |
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| Dennis Ferrer In The House | ITH Limited |
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| Lust-Art & Soul A Personal Collection By... | Concept Musi... |
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| Defected: Jazztronik In The House | Lexington Co... |
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Shazam Recommends...
Shazamers Who iD'd Peven Everett
| Featured Review | |
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Beat Control Tilly And The Wall |
| "O",The third offering from Omaha's indie darlings, left a bitter taste in our mouths while passing completely unnoticed thanks to a lacklustre collection of rather dull tunes. Luckily for the tap-dancing five-piece, they kept an ace up their sleeves and it's about to become an unexpected hit as the Radio 1 has playlisted it. "Beat Control" was originally released as a very limited edition 7" single, in between albums, and it was not meant to be included in "O". Hailed as a shift towards dance-pop, with some discreet electronic touches, it showed a welcomed new direction for the band, away from their habitual folky-pop. Many would have preferred them following that path. Better late than never, if this track confirms its potential it could become the cornestone of Tilly & The wall's future. | |
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