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Norah Jones

Norah Jones

About Norah Jones

Sultry vocalist and pianist Norah Jones developed her unique blend of jazz and traditional vocal pop with hints of bluesy country and contemporary folk due in large part to her unique upbringing. Born March 30, 1979, in New York City, the daughter of Ravi Shankar quietly grew up in Texas with her mother. While she always found the music of Billie Holiday and Bill Evans both intriguing and comforting, she didn't really explore jazz until attending Dallas' Booker T. Washington High School for the Performing and Visual Arts. During high school, Jones won the Down Beat Student Music Awards for Best Jazz Vocalist and Best Original Composition in 1996, and earned a second Best Jazz Vocalist award in 1997. Putting her vocal talents on the back burner, Jones worked toward earning a degree in jazz piano at the University of North Texas for two years before accepting a friend's offer of a summer sublet in Greenwich Village during the summer of 1999. Although she fully intended to return to college that fall, the lure of the folk coffeehouses and jazz clubs proved too strong and she soon became inspired to write her own songs. Jones appeared regularly with the trip-hop-electronica band Wax Poetic and assembled her own group around songwriters Jesse Harris (guitar) and Lee Alexander (bass), with Dan Rieser on drums. In October of 2000, the group recorded a handful of demos for Blue Note Records and on the strength of these recordings, Jones signed to the jazz label in early 2001. Following an appearance on Charlie Hunter's Songs from the Analog Playground, Jones spent much of 2001 performing live with Hunter's group and working on material for her debut. Come Away with Me, recorded by Craig Street (Cassandra Wilson, Manhattan Transfer, k.d. lang) and legendary producer Arif Mardin (Aretha Franklin, Dusty Springfield, the Bee Gees), was released in early 2002 and garnered much public attention. The combination of her striking beauty and the fact that she was the daughter of an internationally renowned musician placed Jones in the awkward position of defending her music from those who dismissed her as another pretty face (the same argument used by those opposed to Diana Krall) and/or another riding the coattails of her musical royal heritage (see Natalie Cole, Miki Coltrane, Corey Parker). Although not by any stretch a "jazz" album (the label chose to call it "jazz-informed"), it featured jazz guitarist Bill Frisell and session drummer Brian Blade, and indicated a new direction for Blue Note combining jazz aesthetics and talent with a pop sensibility. Come Away with Me eventually went multi-platinum, selling 18 million copies worldwide and winning Jones eight Grammy awards. In 2004, Jones released her highly anticipated follow-up album, Feels Like Home. Pairing once again with producer Arif Mardin, Jones pursued a similar approach to Come Away with Me, mixing '70s singer/songwriter-style tracks with blues, country, and her own mellow take on piano jazz. In 2003, Jones played in a group called the Little Willies along with Lee Alexander (bass), Richard Julian (guitar/vocals), Dan Rieser (drums), and Jim Campilongo (guitar), playing covers of classic American music like Hank Williams, Willie Nelson, and Kris Kristofferson. This one-off performance ultimately turned into sporadic shows at the venue whenever their individual schedules would allow, slowly incorporating original songs into their set along the way. In time, the Little Willies began considering the release of a live album, but instead wound up documenting their sound in the recording studio. Milking Bull Records issued the resultant self-titled album in March 2006. Late in the year the single "Thinking About You" announced her return to her solo career. It landed on the album Not Too Late, released in early 2007. ~ Zac Johnson, All Music Guide

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Norah Jones's Discography  (18)

Nightingale  Nightingale more more
The Story  The Story more more
Not Too Late  Not Too Late more more
Sinkin' Soon  Sinkin' Soon more more
Sinkin' Soon  Sinkin' Soon more more

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Compilations Featuring Norah Jones  (20)

Goin' Home: A Tribute To Fats Domino  Goin' Home: A Tribute To Fats Domino Tipitina's F... more more
My Blueberry Nights Music From The Motion Picture My Blueberry Nights: Music From The Moti... The Blue Not... more more
The Ultimate Jazz Christmas  The Ultimate Jazz Christmas more more
Love's Greatest Hits  Love's Greatest Hits more more
2005 Grammy Nominees  2005 Grammy Nominees more more

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Featured Review
Love Lockdown Love Lockdown
KanYe West
KanYe West keeps on challenging the limits of hip-hop: if "Graduation" was his pop album, the first single from "808s and Heartaches" sees the star going all soulful and expanding the most spiritual side of former highlights such as "Jesus Walk" or "Can't Tell me Nothing". Arguably the first interactive recording ever made, thanks to the KanYe's official blog; when the original mix was posted, many fans reacted sending an avalanche of negative feedback; maybe it was the use of popular pitch-altering software autotune, abused in recent times by everyone from Cher to T-Pain, that led the audience to revolt and ended up with the notorious perfectionist re-recording the vocals and adding some taiko drums to highlight its minimal beat, imitating a heart pounding; posting it again afterwards for general approval. Not happy with that, he later went the Radiohead way, making six different stems (vocals, drums, piano, etc.) available for fans to remix the song themselves. "Love Lockdown" can be seen as West upgrading himself from rapper to proper soul singer and is one of his more inspired and powerful moments to date. A mind-blowing closing performance at this year's VMAs ignited a chart frenzy all over the world and it looks set to last for a few months.
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