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About The Calling
Hailing from Los Angeles, CA, the rock quintet the Calling (Alex Band [vocals], Aaron Kamin and Sean Woolstenhulme [guitars], Billy Mohler [bass], and Nate Wood [drums]) fit in well with such ready-for-radio rock acts of the early 21st century as Matchbox Twenty, Train, and the Wallflowers. Kamin and Band began the group after the pair became friends as teenagers (Kamin was dating Band's sister at the time), which lead to them being signed to a development deal with RCA. Instrumental role players were recruited, and an album was recorded. Issued in July 2001, Camino Palmero became a hit on the strength of its single, the inescapable Hot AC chart topper "Wherever You Will Go". Band and Kamin returned in June '04 with Two. ~ Greg Prato, All Music Guide
The Calling's Discography (9)
| Adrienne | BMG |
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| Camino Palmero | BMG Entertainment |
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| Camino Palmero |
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| Wherever You Will Go | RCA |
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| Wherever You Will Go | BMG Entertainment |
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Compilations Featuring The Calling (20)
| Love Compilation (English) |
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| Daredevil: THE ALBUM | Wind-Up Ente... |
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| The Very Best Of Drive Time: 40 driving... | BMG/Telstar |
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| Love Actually: THE ORIGINAL SOUNDTRACK | Universal Is... |
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| Late Night Love | BMG UK & Ire... |
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Shazam Recommends...
Shazamers Who iD'd The Calling
| Featured Review | |
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Another Way To Die Alicia Keys & Jack White |
| When Jack White and Alicia Keys were asked to write the theme to the latest Bond film, Quantum of Solace, it wasnt exactly the straightforward task you might imagine. Not only did they have to take the place of a much anticipated effort from Amy Winehouse, which predictably never materialised, they were also faced with the challenge of writing a theme for one of the most awkwardly phrased Bond films of all time. Quantum of Solace hardly rolls off the tongue after all! The result is a workmanlike effort that draws on many trademark elements of both the Bond franchise and the musicians musical repertoire. With snarling guitar riffs from Jack, overblown vocals and twinkling piano from Alicia and a few orchestral style stabs that hark back to the original John Barry theme, Another Way to Die is equal but no better than the sum of its parts. Despite popjustice.com branding the track the worst Bond theme of all time this song will fulfil its design brief when the credits to the film are rolling as it has enough OTT touches to make the expensive graphics look cool. | |
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