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About Ann Nesby
Formerly the lead vocalist for the 30-piece gospel choir Sounds of Blackness, Ann Nesby struck out on her own in 1996 with an album for the Perspective label, Ann Nesby 1996. With the help of super-producers Jam & Lewis, the R&B-oriented LP scored a hit with "I'm Here for You." Nesby has contributed to several soundtracks (Batman, Mo' Money, Demolition Man) and tribute albums (to Curtis Mayfield, Marvin Gaye, John Lennon). She has also won two Grammy awards: one as part of Sounds of Blackness for the 1991 album Evolution of Gospel, plus another for the version of Handel's Messiah entitled A Soulful Celebration. ~ John Bush, All Music Guide
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Ann Nesby's Discography (3)
| This Is Love |
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| Put It On Paper | Universal Records |
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| Ann Nesby In The Spirit |
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Compilations Featuring Ann Nesby (13)
| Defected: Jazztronik In The House | Lexington Co... |
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| MN2S Masterclass #01: mixed and compiled... | MN2S |
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| Inspired 2: The Next Journey Into Modern Soul | Jazz FM Records |
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| New Found Freedom | Higher Octav... |
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| Interpretations: The Remix Collection | Basement Boy... |
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Shazam Recommends...
Shazamers Who iD'd Ann Nesby
| Featured Review | |
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Another Way To Die Alicia Keys & Jack White |
| When Jack White and Alicia Keys were asked to write the theme to the latest Bond film, Quantum of Solace, it wasnt exactly the straightforward task you might imagine. Not only did they have to take the place of a much anticipated effort from Amy Winehouse, which predictably never materialised, they were also faced with the challenge of writing a theme for one of the most awkwardly phrased Bond films of all time. Quantum of Solace hardly rolls off the tongue after all! The result is a workmanlike effort that draws on many trademark elements of both the Bond franchise and the musicians musical repertoire. With snarling guitar riffs from Jack, overblown vocals and twinkling piano from Alicia and a few orchestral style stabs that hark back to the original John Barry theme, Another Way to Die is equal but no better than the sum of its parts. Despite popjustice.com branding the track the worst Bond theme of all time this song will fulfil its design brief when the credits to the film are rolling as it has enough OTT touches to make the expensive graphics look cool. | |
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