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About Suzanne Palmer
Chicago-born Suzanne Palmer became a high-profile dance music diva after teaming up with New York-based producer Peter Rauhofer and joined his project Club 69, adding her dazzling vocals on "Much Better," "Alright," "Twisted," and a house version of Diana Ross' 1981 hit "Muscles" featured on the 1997 album Style. The daughter of a jazz pianist, Palmer started performing professionally at the age of 16. From gospel, soul, jazz, and contemporary R&B to house and techno, the talented singer had the opportunity to start her solo career after touring Europe as part of the vocal group Victory Singers, achieving an award in an international pop festival in Poland and singing along with different U.S. numbers. In 2001, Palmer joined Peter Rauhofer once again to record a cover of British Kosheen's jungle/drum'n'bass smash "I Hide U," followed by "Show Me" in 2002. ~ Drago Bonacich, All Music Guide
Suzanne Palmer's Discography (2)
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643: (Love's On Fire) | Virgin Recor... |
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Luv2Luv |
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Compilations Featuring Suzanne Palmer (20)
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Roger Sanchez Presents Release Yourself... | Stealth Reco... |
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Twisted Disco 02.05 | Hed Kandi Records |
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US February 2004 |
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The Club Box: 45 MASSIVE CLUB HITS | EMI Records... |
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Future Sound Of Ibiza: Mixed By Tall Paul | BMG |
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Shazam Recommends...
Shazamers Who iD'd Suzanne Palmer
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Girls Sugababes |
| By roping in credible producers such as Richard X and peppering their songs with up to the minute electro touches, Sugababes have managed to create songs that appealed as much to the cynical music press as it did to teenage girls. Throw in a revolving door line up and a media fascination with the bands perceived moodiness and you have a recipe for the most successful girl band of the new millennium. However on "Girls", a cover of Ernie K-Does early R&B classic "Here Comes The Girls", The "Babes" lack any of the inventiveness that made singles such as "Freak Like Me" and "Push The Button" so enjoyable. As countless artists have proved over the years, there's nothing wrong with uncovering a hidden gem and putting your own spin on things; Soft Cell's "Tainted Love" springs to mind as a good example. However, you can't help thinking that The Sugababes' producers have hardly been "diggin' in the crates" to uncover "Here Come The Girls" since it has been used extensively by Boots over the last couple of years to sell beauty products. Throw in a few predictable Mark Ronson style horn riffs and you have a sub Atomic Kitten mess that tarnishes a lot of the bands efforts to be taken seriously. | |
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