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Daniel Bedingfield

Daniel Bedingfield

About Daniel Bedingfield

New Zealand-born Daniel Bedingfield grew up in southeast London. Mostly influenced by contemporary R&B artists, his sisters Natasha and Nicola teamed up with him to assemble their first band, called the DNA Algorhythm. Inspired by a girlfriend from Leeds, Daniel Bedingfield recorded "Gotta Get Thru This" in his bedroom with a microphone plugged to his home computer. In December 2001, just a few weeks after its release by the independent Relentless Records, his song went straight to the top on the U.K. singles chart. At the age of 21, the promising pop singer became a local celebrity. Signing to Polydor UK, Bedingfield worked on some new material and released his first album, Gotta Get Thru This, in the fall of 2002. Second First Impression followed in 2005. ~ Drago Bonacich, All Music Guide

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Daniel Bedingfield's Discography  (14)

Nothing Hurts Like Love  Nothing Hurts Like Love Polydor Limited more more
Second First Impression  Second First Impression Polydor Ltd more more
Second First Impression (Non EU CD)  Second First Impression (Non EU CD) more more
Friday  Friday Polydor Limi... more more
Gotta Get Thru This  Gotta Get Thru This Polydor Limi... more more

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Compilations Featuring Daniel Bedingfield  (20)

Floorfillers Anthems  Floorfillers Anthems more more
Radio April 2005  Radio April 2005 more more
Radio January 2005  Radio January 2005 more more
Just For You  Just For You The Island D... more more
Morangos Com Açúcar  Morangos Com Açúcar more more

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Featured Review
Kids Kids
MGMT
With 2005's "Time To Pretend" MGMT created a musical moment that would resonate for the next three years, putting it amongst the creme de la creme of new millennium indie anthems. With latest single, "Kids", MGMT fail to scale the heights they did with their first single, but still deliver a track that has met with strong approval from such critical sources as Pitchfork media, Zane Lowe and, surprisingly, dance music bible Mixmag who cited it as one of their "tunes of the year". Sporting an overridingly childlike melody that shimmers due to the interesting use of a distorted stylophone, the track washes over the listener thanks to the great use of a Gary Numan-esque synth line. This is all brought to the fore on the new remix by Belgian dance maestros Soulwax, who turn the muted indie cool of the original into an irrepressible club monster. If any evidence is needed, here is a clip of Erol Alkan playing the track at the recent Pukkelpop festival. Quite simply, amazing!
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