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About Fire Island
House producers Pete Heller and Terry Farley (aka Farley & Heller) released a few track as Fire Island that featured diva vocalists such as Loleatta Holloway. The duo derived their moniker from the well-known vacation spot on Long Island that is widely considered to be a haven for the New York City gay community, particularly those who enjoy partying. "Shout to the Top," featuring Loleatta Holloway, is the most successful Fire Island track, being one of the most popular house tracks of 1998. Other Fire Island productions include "If You Should Need a Friend," "White Powder Dreams," and "There but for the Grace of God." In addition to Holloway, who is one of the New York garage/house scene's definitive icons, Fire Island tracks also featured vocalists Mark Anthoni and Love Nelson. Big-name producers such as Frankie Knuckles and Pete Rauhofer have remixed Fire Island tracks, most of which were released by the Junior Boys Own label. ~ Jason Birchmeier, All Music Guide
Compilations Featuring Fire Island (20)
| Junior Boy's Own: A Boy's Own Odyssey: M... | Junior Boys Own |
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| Junior Boy's Own: A Boy's Own Odyssey: M... | Junior Boys Own |
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| Junior Boy's Own: A Boy's Own Odyssey: M... | Junior Boys Own |
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| Junior Boy's Own: A Boy's Own Odyssey: M... | Junior Boys Own |
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| Garage Classic Volume II: Summer Edition | Ministry Of... |
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Shazam Recommends...
Shazamers Who iD'd Fire Island
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Kids MGMT |
| With 2005's "Time To Pretend" MGMT created a musical moment that would resonate for the next three years, putting it amongst the creme de la creme of new millennium indie anthems. With latest single, "Kids", MGMT fail to scale the heights they did with their first single, but still deliver a track that has met with strong approval from such critical sources as Pitchfork media, Zane Lowe and, surprisingly, dance music bible Mixmag who cited it as one of their "tunes of the year". Sporting an overridingly childlike melody that shimmers due to the interesting use of a distorted stylophone, the track washes over the listener thanks to the great use of a Gary Numan-esque synth line. This is all brought to the fore on the new remix by Belgian dance maestros Soulwax, who turn the muted indie cool of the original into an irrepressible club monster. If any evidence is needed, here is a clip of Erol Alkan playing the track at the recent Pukkelpop festival. Quite simply, amazing! | |
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