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Seiji

Seiji

About Seiji

Paul Dolby, AKA Seiji, is a prominent member of West London's broken beat scene, a loose collective of producers that falls under the tag for a couple of key factors -- complex, sputtery and jittery beats -- without adhering to a strict, specific sound. (Depending on the producer, broken beat tracks can be just as easily classified as drum'n'bass, hip-hop, neo-soul, or modernized jazz-fusion.) It was during the early ‘90s, while in his mid-teens, that Dolby discovered house music and also became fully immersed in the records made by Herbie Hancock, Stevie Wonder, Photek and 4hero. He began producing his own tracks a few years later, and before long he hooked up with Orin Walters (Afronaught) and helped instigate Bugz in the Attic, a stellar production/remix crew that became synonymous with the term broken beat. As Seiji, Dolby has remixed Micatone, P'taah, Joakim Lone Octet, and Mark de Clive-Lowe. In 2002, Bitasweet compiled some of those remixes for Remixes. Since the late ‘90s, Seiji has also released his own productions for Reinforced and 2000 Black, in addition to lending his cello skills to records made by several of his peers. [See also: Disorient; Opaque; Homecookin'; Psyan.] ~ Andy Kellman, All Music Guide

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Seiji's Discography  (1)

DJ Tools SK Tools Vol.1 DJ Tools: SK Tools Vol.1 Sonar Kollektiv more more

Compilations Featuring Seiji  (14)

The Mixologists  The Mixologists DMC Publishi... more more
FabricLive. 12 Bugz in the Attic FabricLive. 12: Bugz in the Attic Fabric Recor... more more
Gilles Peterson Worldwide 2 programme 2 Gilles Peterson Worldwide 2: programme 2 Mercury Reco... more more
PA 01 Phil Asher PA 01: Phil Asher Lalazar Limited more more
The Soul Of Science COMPILED BY KIRK DEGIORGIO & IAN O'BRIEN The Soul Of Science: COMPILED BY KIRK DE... Logic Record... more more

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Featured Review
Girls Girls
Sugababes
By roping in credible producers such as Richard X and peppering their songs with up to the minute electro touches, Sugababes have managed to create songs that appealed as much to the cynical music press as it did to teenage girls. Throw in a revolving door line up and a media fascination with the bands perceived moodiness and you have a recipe for the most successful girl band of the new millennium. However on "Girls", a cover of Ernie K-Does early R&B classic "Here Comes The Girls", The "Babes" lack any of the inventiveness that made singles such as "Freak Like Me" and "Push The Button" so enjoyable. As countless artists have proved over the years, there's nothing wrong with uncovering a hidden gem and putting your own spin on things; Soft Cell's "Tainted Love" springs to mind as a good example. However, you can't help thinking that The Sugababes' producers have hardly been "diggin' in the crates" to uncover "Here Come The Girls" since it has been used extensively by Boots over the last couple of years to sell beauty products. Throw in a few predictable Mark Ronson style horn riffs and you have a sub Atomic Kitten mess that tarnishes a lot of the bands efforts to be taken seriously.
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