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Photek

Photek

About Photek

Though Goldie became the first superstar of jungle, the recordings of Rupert Parkes -- as Code of Practice, Aquarius, Studio Pressure, the Truper and Sentinel, but most famously as Photek -- made him an easy pick for the style's most artistic and intelligent producer. Working his way through street-level hardstep (on early productions for Certificate 18 and Street Beats) and airy, sub-aquatic "dolphin" tunes for L.T.J Bukem's Good Looking label, Parkes finally arrived at a sound that pushed the bounds of drum'n'bass from the dancefloor into the realm of breakbeat headspace; unlike most jungle producers, Parkes has never DJed and rarely goes to clubs. His incredibly intricate rhythm programming -- often requiring weeks of computer preparation -- and the unmissable aura of paranoid menace on recordings such as "The Hidden Camera" and "UFO" exerted quite an influence on the return of dark-style drum'n'bass during the late '90s. As a teenager, Parkes listened to electro, techno and hip-hop as well as the more free-form side of jazz and fusion. Thanks to a sampler bought with a £2000 loan from the Trust of the Prince of Wales, he began producing tracks and first appeared on Paul Solomon's Certificate 18 Records with singles as Studio Pressure. He also recorded for Basement (as Sentinel) and Street Beats (the Truper) before initiating a series of 12-inch singles for his own Photek Records, which gave him credentials and led to releases on Goldie's Metalheadz label and L.T.J. Bukem's Good Looking, as well as a remix of the Therapy? single "Loose." After Parkes had released more than 80 tracks of drum'n'bass on half a dozen labels, he was approached by Virgin and signed to a five-album deal with the label's Science imprint (provided he was allowed to continue recording for other independent labels as well). Parkes' first release on Science was The Hidden Camera EP, which appeared in May 1996. The second Science single "Ni-Ten-Ichi-Ryu" displayed an increasing interest in applying the lessons of martial arts to his programming (the title is Japanese for "two swords, one technique"). Virgin compiled the latter two releases on 1997's Risc Vs. Reward, then released the debut Photek album Modus Operandi in September 1997. Much-hyped though little-praised, the album was followed by 1998's Form & Function, a compilation including several original Photek Records tracks plus remixes and new tracks. During the next two years, Parkes focused on his new Photek Productions label, and finally released a second LP, Solaris, in 2000. ~ John Bush, All Music Guide

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Photek's Discography  (8)

Form & Function Vol 2  Form & Function Vol 2 Photek more more
Solaris  Solaris Virgin Recor... more more
Solaris  Solaris more more
Form & Function  Form & Function Virgin Recor... more more
Modus Operandi  Modus Operandi Virgin Recor... more more

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Compilations Featuring Photek  (20)

Drum & Bass Headhunterz METALHEADZ PRESENTS Drum & Bass Headhunterz: METALHEADZ PRESENTS Metalheadz more more
Renaissance 3D SATOSHI TOMIIE Renaissance 3D: SATOSHI TOMIIE Renaissance... more more
Fabriclive. 15 Nitin Sawhney Fabriclive. 15: Nitin Sawhney Fabric Recor... more more
Nightlife 2 ANDY C Nightlife 2: ANDY C Ram Records more more
The Animatrix THE ALBUM The Animatrix: THE ALBUM WEA Internat... more more

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Featured Review
The Holy Pictures
David Holmes
Four years in the making, since venturing into the rugged rock-jazz-blues arena with The Free Association; to prepare his fourth proper album David Holmes has put aside Hollywood commitments that began as the soundtrack composer for Steven Sorderbergh movies and has nearly become Holmes main activity as forthcoming soundtracks for the Bobby Sands biopic "Hunger" and "Five Minutes of Heaven" undeniably prove. "The holy pictures" is named after the pub his father was a regular of and conceived as a tribute to the city of Belfast and its people. On it our favourite North Irish DJ gives another lecture on eclecticism and takes a 180 degree turn towards the trendy road where shoegazing and krautrock meet. Next to his cinematic instrumentals, the main surprise here is Holmes singing for the first time, in a not too different manner to Jesus & Mary Chain's Jim Reid. Best example is the first single "I heard wonders", helped by Martin Rev, one half of 70s icons Suicide. Other highlights include the closing track "The Ballad Of Jack and Sarah" dedicated to his parents. Altogether, is a beautiful and rewarding record; his most personal to date.
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