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Stacey Kent

Stacey Kent

About Stacey Kent

New York native Stacey Kent never anticipated a career in jazz music, for she was a Sarah Lawrence graduate with a degree in comparative literature. But her childhood days spent listening to the traditional beauty of Frank Sinatra and Nat "King" Cole undoubtedly influenced her. While on holiday in Europe after graduating from college, she took up singing without much formal training and never looked back. Kent became acquainted with several musicians at Oxford in 1991 and through them she found herself participating in a jazz course at the famed Guildhall School of Music and Drama. There she also met her future husband, tenor saxophonist Jim Tomlinson, and also landed a spot in the class. Her next spot was singing with the Vile Bodies Swing Orchestra at the Ritz Hotel in London, quickly landing a role in Ian McKellen's Richard III film, playing the big-band singer. The mid-'90s were more focused on recording and in 1996, Kent inked a deal with Candid Records. A year later, the critically acclaimed Close Your Eyes was issued; Tender Trap followed in 1999. Her third LP Let Yourself Go: Celebrating Fred Astaire, which showcased popular standards, appeared in spring 2000. The ballad-oriented Dreamsville appeared the next spring. ~ MacKenzie Wilson, All Music Guide

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Featured Review
Kids Kids
MGMT
With 2005's "Time To Pretend" MGMT created a musical moment that would resonate for the next three years, putting it amongst the creme de la creme of new millennium indie anthems. With latest single, "Kids", MGMT fail to scale the heights they did with their first single, but still deliver a track that has met with strong approval from such critical sources as Pitchfork media, Zane Lowe and, surprisingly, dance music bible Mixmag who cited it as one of their "tunes of the year". Sporting an overridingly childlike melody that shimmers due to the interesting use of a distorted stylophone, the track washes over the listener thanks to the great use of a Gary Numan-esque synth line. This is all brought to the fore on the new remix by Belgian dance maestros Soulwax, who turn the muted indie cool of the original into an irrepressible club monster. If any evidence is needed, here is a clip of Erol Alkan playing the track at the recent Pukkelpop festival. Quite simply, amazing!
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