Album Results

Wishing 

Martine McCutcheon

Wishing

Genre: ROCK/POP
Label: Virgin
Release date: 2000

Album Reviews

Martine McCutcheon sets her eyes on the dancefloor on her second album. Wishing largely abandons the mid-tempo balladry which pushed her debut album past platinum sales in the U.K., opting for the kind of light disco pop that the likes of Kylie Minogue and Louise excel at. Lead single "I'm Over You" is an infectious slice of empowering pop which fits McCutcheon like a glove, and it duly became her biggest hit since "Perfect Moment," sailed to number two in the U.K. charts. Unfortunately, such gems are few and far between on this album. Covers of disco classics "On the Radio" and "Together We Are Beautiful" (by Donna Summer and Fern Kinney, respectively) are well-sung but workmanlike and bring nothing to tempt listeners away from the originals. At the very least they're memorable, though. The majority of this album is bland and forgettable. McCutcheon remains a gifted singer, but her talents are wasted on this dull material. ~ John Lucas, All Music Guide

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Track Listing


1.  I'm Over You more
2.  Tonight more
3.  Teardrops more
4.  On The Radio more
5.  Every Time more
6.  Love Changes Nothing more
7.  You Mean The World To Me more
8.  What You See Is What You Get more
9.  Wishing more
10.  Cried So Many Nights more
11.  Together We Are Beautiful more
12.  Everybody more
Featured Review
Baptism Baptism
Crystal Castles

If manufactured, bland production-line mainstream pop is the disease then Crystal Castles could be the cure. Eschewing standard song structure and almost all other pop music conventions sounds like a recipe for mayhem, and that is a word that could be used fairly accurately to describe Crystal Castles output. However, buried under the slabs of electronic noise and shouty distorted vocals are some genuine nuggets, 'Baptism' being one of them. Released from the bands self-titled second album (confusingly the first album was also self-titled) 'Baptism' is reminiscent of what a rave tune would sound like if it was exploded in a microwave. A quick blast of heavily distorted chords gets the track under way before a computer game-like bleeping sequence takes over, underpinned by a simple kick drum pattern. However when the chords are reintroduced the track takes off, with singer Alice Glass sounding like a petulant child shrieking because she's just dropped her ice-cream onto a chainsaw. Probably not for faint-hearted pop pickers, but others will love it. ~Martin Gadgil. Copyright (c) Shazam Entertainment Limited 2010. All rights reserved

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