FLVCKKA
Hypercorridos, Vol. 1
Album · Latin · 2026 · FLVCKKA
As much as today’s biggest música mexicana artists seem committed to pushing the sound forward, including but not limited to crossing over into other genres, few are doing so quite like FLVCKKA. A leading proponent of neobuchonismo, the CDMX by way of Chihuahua artist extracts elements of dembow, drill, and hyperpop for a radical sonic amalgamation.
Insistent, propulsive, and, at times, illusory, her Hypercorridos Vol1 bursts with kinetic energy and youthful attitude, beginning with the bubbly “Money in the Bank” and persisting through the closing pair of angely2k-aided cuts, “Súper Cargada” and “You know I’m just a fly away.”
For those who’d doubt how genuinely these intense, electronic songs connect with the contemporary corridos scene, some of the features here should clear things up. Chino Pacas himself spits with bilingual ease over “Si nos mandaron a matarnos,” while Régulo Caro sings with sincerity on the shapeshifting “La ocasión.”
Our Favorite Track: Descended from trap greatness and riddled with machine-gun rhythms, “Fentaniñas (Banana Klip)” arguably presents FLVCKKA’s essence in its purest form.
Insistent, propulsive, and, at times, illusory, her Hypercorridos Vol1 bursts with kinetic energy and youthful attitude, beginning with the bubbly “Money in the Bank” and persisting through the closing pair of angely2k-aided cuts, “Súper Cargada” and “You know I’m just a fly away.”
For those who’d doubt how genuinely these intense, electronic songs connect with the contemporary corridos scene, some of the features here should clear things up. Chino Pacas himself spits with bilingual ease over “Si nos mandaron a matarnos,” while Régulo Caro sings with sincerity on the shapeshifting “La ocasión.”
Our Favorite Track: Descended from trap greatness and riddled with machine-gun rhythms, “Fentaniñas (Banana Klip)” arguably presents FLVCKKA’s essence in its purest form.
Hypercorridos, Vol. 1
FLVCKKA
As much as today’s biggest música mexicana artists seem committed to pushing the sound forward, including but not limited to crossing over into other genres, few are doing so quite like FLVCKKA. A leading proponent of neobuchonismo, the CDMX by way of Chihuahua artist extracts elements of dembow, drill, and hyperpop for a radical sonic amalgamation.
Insistent, propulsive, and, at times, illusory, her Hypercorridos Vol1 bursts with kinetic energy and youthful attitude, beginning with the bubbly “Money in the Bank” and persisting through the closing pair of angely2k-aided cuts, “Súper Cargada” and “You know I’m just a fly away.”
For those who’d doubt how genuinely these intense, electronic songs connect with the contemporary corridos scene, some of the features here should clear things up. Chino Pacas himself spits with bilingual ease over “Si nos mandaron a matarnos,” while Régulo Caro sings with sincerity on the shapeshifting “La ocasión.”
Our Favorite Track: Descended from trap greatness and riddled with machine-gun rhythms, “Fentaniñas (Banana Klip)” arguably presents FLVCKKA’s essence in its purest form.
Insistent, propulsive, and, at times, illusory, her Hypercorridos Vol1 bursts with kinetic energy and youthful attitude, beginning with the bubbly “Money in the Bank” and persisting through the closing pair of angely2k-aided cuts, “Súper Cargada” and “You know I’m just a fly away.”
For those who’d doubt how genuinely these intense, electronic songs connect with the contemporary corridos scene, some of the features here should clear things up. Chino Pacas himself spits with bilingual ease over “Si nos mandaron a matarnos,” while Régulo Caro sings with sincerity on the shapeshifting “La ocasión.”
Our Favorite Track: Descended from trap greatness and riddled with machine-gun rhythms, “Fentaniñas (Banana Klip)” arguably presents FLVCKKA’s essence in its purest form.
