Urbano latino
Spain
Mala Rodríguez
Shazam Global Chart Top 50 AppearancesAll songs and collaborations from Mala Rodríguez that have reached the Top 50 of the Shazam Global Chart
OVERVIEW
Mala Rodríguez peaked at No. 30 on the Shazam Global Chart with "Tengo Un Trato", spending 6 days in the Top 50.
1Top 50 Entries
6Days in Top 50
SONG
PEAK POSITIONDAYS IN TOP 50TOP 50 DEBUT
The highest position a song reached on the Shazam Global Chart.
The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
The date a song first entered the Top 50 of the Shazam Global Chart.
Mala Rodríguez
#306Mar 16, 2020
"Tengo Un Trato" by Mala Rodríguez peaked at No. 30 on the Shazam Global Chart, where the song spent a total of 6 day(s) in the Top 50.
Released
2000Total Shazams
439K
Days in Top 50
6The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Mar 16, 2020"Tengo Un Trato" by Mala Rodríguez peaked at No. 30 on the Shazam Global Chart, where the song spent a total of 6 day(s) in the Top 50.
Released
2000Total Shazams
439K
Days in Top 50
6The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Mar 16, 2020Mala Rodríguez's Popular Music Videos
About Mala Rodríguez
Spanish rap star Mala Rodríguez rose to fame quickly from the fertile hip-hop scene of Seville during the late '90s (she was known then as La Mala, an indication of the hardcore nature of her early work). Her debut album, Lujo Ibérico (2000), established her immediately as one of Spain's more notable rappers, and spawned the popular song "Yo Marco el Minuto," which was featured in the well-known film Lucía y el Sexo (2002). Her popularity was cemented when the video for "La Niña," from her second album, Alevosía, was banned from Spanish TV because of its depiction of a drug-dealing young girl. In time, Rodríguez lightened up her music and began experimenting with new sounds; however, she remained a potent rapper and thoughtful lyricist. ~ Jason Birchmeier
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