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Amanda Lear
Shazam Global Chart Top 50 AppearancesAll songs and collaborations from Amanda Lear that have reached the Top 50 of the Shazam Global Chart
OVERVIEW
Amanda Lear peaked at No. 38 on the Shazam Global Chart with "Follow Me", spending 9 days in the Top 50.
1Top 50 Entries
9Days in Top 50
SONG
PEAK POSITIONDAYS IN TOP 50TOP 50 DEBUT
The highest position a song reached on the Shazam Global Chart.
The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
The date a song first entered the Top 50 of the Shazam Global Chart.
Amanda Lear
#389Mar 9, 2023
"Follow Me" by Amanda Lear climbed to No. 38 on the Shazam Global Chart, spending 9 day(s) in the Top 50.
Album
Let Me Entertain YouReleased
2016Total Shazams
1M
Days in Top 50
9The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Mar 9, 2023"Follow Me" by Amanda Lear climbed to No. 38 on the Shazam Global Chart, spending 9 day(s) in the Top 50.
Album
Let Me Entertain YouReleased
2016Total Shazams
1M
Days in Top 50
9The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Mar 9, 2023Amanda Lear's Popular Music Videos
About Amanda Lear
Amanda Lear first surfaced in the early '70s as a fetishistically clothed album-cover model for Roxy Music. She was said to be a transsexual but, as she told Interview magazine, that was just a ruse dreamed up by her sponsor, David Bowie, to draw attention. Her importance to disco fans, however, began in 1977, when she recorded I Am a Photograph in Germany with production help from Tony Monn. I Am a Photograph is the first of six sleazy, hard-to-find albums in which she flaunts a voice so heavy with low notes it makes one wonder if she really isn't a man after all. But Lear's slow notes are simply an exaggeration of the whiskey-voiced sultriness created by Marlene Dietrich. That isn't to say, however, that Lear's lyrics -- or the music's inverted proportions -- don't exploit her mythology as a kinky concoction to the bursting point. ~ Michael Freedberg
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