Electronic
France
Cassius
Shazam Global Chart Top 50 AppearancesAll songs and collaborations from Cassius that have reached the Top 50 of the Shazam Global Chart
OVERVIEW![Track artwork for track titled I <3 U So by Cassius]()
Cassius peaked at No. 33 on the Shazam Global Chart with "I <3 U So", spending 6 days in the Top 50.
1Top 50 Entries
6Days in Top 50
SONG
PEAK POSITIONDAYS IN TOP 50TOP 50 DEBUT
The highest position a song reached on the Shazam Global Chart.
The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
The date a song first entered the Top 50 of the Shazam Global Chart.
Cassius
#336Jul 27, 2024
"I <3 U So" by Cassius achieved a peak position of No. 33 on the Shazam Global Chart and remained in the Top 50 for 6 day(s).
Released
2010Total Shazams
834K
Days in Top 50
6The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Jul 27, 2024"I <3 U So" by Cassius achieved a peak position of No. 33 on the Shazam Global Chart and remained in the Top 50 for 6 day(s).
Released
2010Total Shazams
834K
Days in Top 50
6The total number of days a song spent in the Top 50 of the Shazam Global Chart. These days may have been non-consecutive.
Top 50 Debut
Jul 27, 2024
About Cassius
Parisian duo Cassius may not be as famous as Daft Punk, but they played just as crucial a role in the creation of the so-called French Touch, a distinctive style of disco-kissed house that ruled European dance floors in the ‘90s. Hubert Blanc-Francard (a.k.a. Boombass) and Philippe Cerboneschi (a.k.a. Philippe Zdar) met in the late ’80s, producing for French rapper MC Solaar and then founding the Mo’ Wax project La Funk Mob, where they pioneered a silky fusion of deep house and hip-hop. On their 1999 debut album as Cassius, 1999, they deepened their funk while sharpening their melodic instincts, and on 2002’s Au Rêve, they went pop on anthems like “The Sounds of Violence” and “Under Influence,” bridging the gap between American indie-dance basement parties and Ibizan open-air superclubs. After 2006’s 15 Again, Zdar increasingly focused on production work for acts like Franz Ferdinand and Cat Power, but the duo reunited with 2016’s spirited Ibifornia. Sadly, their second act was short-lived: Two days before the release of 2019’s Dreems, Zdar died in a fall from a building. In honor of his friend, Boombass declared Cassius finished. Despite their tragic end, the duo’s work remains a heartfelt testament to late nights in the flush of youth.
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