R&B/Soul
Japan
Joji
Latest Release
Shazam Global Chart Top 10 AppearancesAll songs and collaborations from Joji that have reached the Top 10 of the Shazam Global Chart
OVERVIEW![Track artwork for track titled Glimpse of Us by Joji]()
Joji peaked at No. 5 on the Shazam Global Chart with "Glimpse of Us", spending 30 days in the Top 10.
1Top 10 Entries
30Days in Top 10
SONG
PEAK POSITIONDAYS IN TOP 10TOP 10 DEBUT
The highest position a song reached on the Shazam Global Chart.
The total number of days a song spent in the Top 10 of the Shazam Global Chart. These days may have been non-consecutive.
The date a song first entered the Top 10 of the Shazam Global Chart.
Joji
#530Jun 19, 2022
"Glimpse of Us" by Joji peaked at No. 5 on the Shazam Global Chart, where the song spent a total of 30 day(s) in the Top 10.
Album
SMITHEREENSReleased
2022Total Shazams
5M
Days in Top 10
30The total number of days a song spent in the Top 10 of the Shazam Global Chart. These days may have been non-consecutive.
Top 10 Debut
Jun 19, 2022"Glimpse of Us" by Joji peaked at No. 5 on the Shazam Global Chart, where the song spent a total of 30 day(s) in the Top 10.
Album
SMITHEREENSReleased
2022Total Shazams
5M
Days in Top 10
30The total number of days a song spent in the Top 10 of the Shazam Global Chart. These days may have been non-consecutive.
Top 10 Debut
Jun 19, 2022Joji's Popular Music Videos
About Joji
When George Miller became the first Asian-born solo artist to top the hip-hop and R&B charts in late 2018, his feelings were mixed. On the one hand, he was proud—who wouldn’t be? Not only were people listening to his music, but he’d also become the face of something bigger than himself, a new chapter in the changing narrative of race and representation in pop music. On the other hand, it wasn’t like he’d ever thought of himself as an Asian artist before—just an artist. Still, he considered himself a guest of the culture. And like any good guest, he wanted to carry himself with respect. Or, as he once joked, to take off his shoes when he came into the house.
Born in Osaka in 1992, Miller got his start as the creator of two irreverent and highly popular YouTube personalities, Filthy Frank and Pink Guy—projects that didn’t necessarily reflect his artistic ambitions, but proved his firm handle on the fluid vernacular of internet culture. Since debuting Joji in late 2017, Miller has become a key voice in a clique of younger hip-hop and R&B artists—including his peers in the 88rising collective—who have managed to connect as seamlessly with Asian audiences as with American ones, a reflection of both the changing demographics of global culture and the border-free nature of life online. And his music—moody, downcast ballads and sleek electro-pop—only underscores the idea that in an increasingly digital world, where you’re from is less important than what you’re into.
Born in Osaka in 1992, Miller got his start as the creator of two irreverent and highly popular YouTube personalities, Filthy Frank and Pink Guy—projects that didn’t necessarily reflect his artistic ambitions, but proved his firm handle on the fluid vernacular of internet culture. Since debuting Joji in late 2017, Miller has become a key voice in a clique of younger hip-hop and R&B artists—including his peers in the 88rising collective—who have managed to connect as seamlessly with Asian audiences as with American ones, a reflection of both the changing demographics of global culture and the border-free nature of life online. And his music—moody, downcast ballads and sleek electro-pop—only underscores the idea that in an increasingly digital world, where you’re from is less important than what you’re into.
Influenced by JojiJoji has influenced the music of Rocco, FrankJavCee, SATOH and more.
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